Peanuts is a syndicated daily and Sunday American comic strip written and illustrated by Charles M. Schulz that ran from October 2, 1950, to February 13, 2000, continuing in reruns afterward. Peanuts is among the most popular and influential in the history of comic strips, with 17,897 strips published in all, making it "arguably the longest story ever told by one human being". By the time of Schulz's death in 2000, Peanuts ran in over 2,600 newspapers, with a readership of around 355 million in 75 countries, and was translated into 21 languages. It helped to cement the four-panel gag strip as the standard in the United States, and together with its merchandise earned Schulz more than $1 billion.
Peanuts focuses entirely on a social circle of young children, where adults exist but are never seen and rarely heard. The main character, Charlie Brown, is meek, nervous, and lacks self-confidence. He is unable to fly a kite, win a baseball game, or kick a football held by his irascible friend Lucy, who always pulls it away at the last instant.
Peanuts is one of the literate strips with philosophical, psychological, and sociological overtones that flourished in the 1950s. Peanuts' humor is psychologically complex, and the characters' interactions formed a tangle of relationships that drove it.
Peanuts achieved considerable success with its television specials, several of which, including A Charlie Brown Christmas and It's the Great Pumpkin, Charlie Brown, won or were nominated for Emmy Awards. The Peanuts holiday specials remain popular and had been broadcast on network television for over 50 years before moving to the Apple TV+ streaming service in 2020. In addition, the specials occasionally rerun on PBS and PBS Kids since 2020. Peanuts also had successful adaptations in theatre, with the stage musical You're a Good Man, Charlie Brown an oft-performed production. In 2013, TV Guide ranked the Peanuts television specials the fourth-greatest TV cartoon of all time. A computer-animated feature film based on the comic strip, The Peanuts Movie, was released in 2015.
Background[]
- “Peanuts was originally sold under the title of Li'l Folks, but that had been used before, so they said we have to think of another title. I couldn't think of one and somebody at United Features came up with the miserable title Peanuts, which I hate and have always hated. It has no dignity and it's not descriptive. [...] What could I do? Here I was, an unknown kid from St. Paul. I couldn't think of anything else. I said, why don't we call it Charlie Brown and the president said "Well, we can't copyright a name like that." I didn't ask them about Nancy or Steve Canyon. I was in no position to argue.”
- ―Charles Schulz, 1987 interview with Frank Pauer in Dayton Daily News and Journal Herald Magazine
Peanuts had its origin in Li'l Folks, a weekly panel cartoon that appeared in Schulz's hometown newspaper, the St. Paul Pioneer Press, from 1947 to 1950. Elementary details of the cartoon shared similarities to Peanuts. The name "Charlie Brown" was first used there. The series also had a dog that looked much like the early 1950s version of Snoopy.
Schulz submitted his Li'l Folks cartoons to United Features Syndicate (UFS), who responded with interest. He visited the syndicate in New York City and presented a package of new comic strips he had worked on, rather than the panel cartoons he submitted. UFS found they preferred the comic strip. When UFS was preparing to syndicate the comic strip as Li'l Folk, that is Li'l Folks without an 's', Tack Knight who authored the retired 1930s comic strip Little Folks sought to claim exclusive rights to the title being used. Schulz argued in a letter to Knight that the contraction of Little to Li'l was intended to avoid this conflict, but conceded that the final decision would be for the syndicate. A different name for the comic strip became necessary after legal advice confirmed that Little Folks was a registered trademark. Meanwhile, the production manager of UFS noted the popularity of the children's program Howdy Doody. The show featured an audience of children who were seated in the "Peanut Gallery", and were referred to as "Peanuts". This inspired the decided title that was forced upon Schulz, to his consternation.
Schulz hated the title Peanuts, which remained a source of irritation to him throughout his life. He accused the production manager at UFS of not having even seen the comic strip before giving it a title, and said that the title would only make sense if there was a character named "Peanuts". On the day it was syndicated, Schulz's friend visited a news stand in uptown Minneapolis and asked if there were any newspapers that carried Peanuts, to which the newsdealer replied, "no, and we don't have any with popcorn either"; this event confirmed his fears concerning the title. Whenever Schulz was asked what he did for a living, he would evade mentioning the title and say "I draw that comic strip with Snoopy in it, Charlie Brown and his dog". In 1997 Schulz said that he had discussed changing the title to Charlie Brown on multiple occasions in the past, but found that it would ultimately cause problems with licensees who already incorporated the existing title into their products, with unnecessary expenses involved for all downstream licensees to change it.
The strip began as a daily strip on October 2, 1950, in seven newspapers: Minneapolis Tribune, the hometown newspaper of Schulz; The Washington Post; Chicago Tribune; The Denver Post; The Seattle Times; and two newspapers in Pennsylvania, Evening Chronicle (Allentown) and Globe-Times (Bethlehem). The first strip was four panels long and showed Charlie Brown walking by two other young children, Shermy and Patty. Shermy lauds Charlie Brown as he walks by, but then tells Patty how he hates him in the final panel. Snoopy was also an early character in the strip, first appearing in the third strip, which ran on October 4. Its first Sunday strip appeared January 6, 1952, in the half-page format, which was the only complete format for the entire life of the Sunday strip. Most of the other characters that eventually became regulars of the strip did not appear until later: Violet (February 1951), Schroeder (May 1951), Lucy (March 1952), Linus (September 1952), Pig-Pen (July 1954), Sally (August 1959), Frieda (March 1961), "Peppermint" Patty (August 1966), Franklin (July 1968) Woodstock (introduced April 1967; officially named June 1970), Marcie (July 1971), and Rerun (March 1973).
Schulz decided to produce all aspects of the strip himself from the script to the finished art and lettering. Schulz did, however, hire help to produce the comic book adaptations of Peanuts. Thus, the strip was able to be presented with a unified tone, and Schulz was able to employ a minimalistic style. Backgrounds were generally not used, and when they were, Schulz's frazzled lines imbued them with a fraught, psychological appearance. This style has been described by art critic John Carlin as forcing "its readers to focus on subtle nuances rather than broad actions or sharp transitions." Schulz held this belief all his life, reaffirming in 1994 the importance of crafting the strip himself: "This is not a crazy business about slinging ink. This is a deadly serious business."
While the strip in its early years resembles its later form, there are significant differences. The art was cleaner, sleeker, and simpler, with thicker lines and short, squat characters. For example, in these early strips, Charlie Brown's famous round head is closer to the shape of an American football or rugby football. Most of the kids were initially fairly round-headed. As another example, all the characters (except Charlie Brown) had their mouths longer and had smaller eyes when they looked sideways.
The 1960s is generally considered to be the "golden age" for Peanuts. During this period, some of the strip's best-known themes and characters appeared, including Peppermint Patty, Snoopy as the "World War One Flying Ace", Frieda and her "naturally curly hair", and Franklin. Peanuts is remarkable for its deft social commentary, especially compared with other strips appearing in the 1950s and early 1960s. Schulz did not explicitly address racial and gender equality issues so much as assume them to be self-evident. Peppermint Patty's athletic skill and self-confidence are simply taken for granted, for example, as is Franklin's presence in a racially integrated school and neighborhood. (Franklin's creation occurred at least in part as a result of Schulz's 1968 correspondence with a socially progressive fan.) The fact that Charlie Brown's baseball team had three girls on it was also at least ten years ahead of its time. The 1966 prime time television special Charlie Brown's All Stars! dealt with Charlie Brown refusing sponsorship of his team on the condition he fire the girls and Snoopy, because the league does not allow girls or dogs to play.
Schulz threw satirical barbs at any number of topics when he chose. Over the years he tackled everything from the Vietnam War to school dress codes to "New Math." One strip on May 20, 1962, even had an icon that stated "Defend Freedom, Buy US Savings Bonds." In 1963 he added a little boy named "5" to the cast, whose sisters were named "3" and "4," and whose father had changed their family name to their ZIP Code, giving in to the way numbers were taking over people's identities. In 1958, a strip in which Snoopy tossed Linus into the air and boasted that he was the first dog ever to launch a human parodied the hype associated with Sputnik 2's launch of Laika the dog into space earlier that year. Another sequence lampooned Little Leagues and "organized" play when all the neighborhood kids join snowman-building leagues and criticize Charlie Brown when he insists on building his own snowmen without leagues or coaches.
Peanuts touched on religious themes on many occasions, especially during the 1960s. The classic television special A Charlie Brown Christmas from 1965, features the character Linus van Pelt quoting the King James Version of the Bible (Luke 2:8–14) to explain to Charlie Brown what Christmas is all about (in personal interviews, Schulz mentioned that Linus represented his spiritual side). Because of the explicit religious material in A Charlie Brown Christmas, many have interpreted Schulz's work as having a distinct Christian theme, though the popular perspective has been to view the franchise through a secular lens.
During the week of July 29, 1968, Schulz debuted the African-American character Franklin to the strip, at the urging of white Los Angeles schoolteacher Harriet Glickman. Though Schulz feared that adding a black character would be seen as patronizing to the African-American community, Glickman convinced him that the addition of black characters could help normalize the idea of friendships between children of different ethnicities. Franklin appeared in a trio of strips set at a beach, in which he first gets Charlie Brown's beach ball from the water and subsequently helps him build a sand castle, during which he mentions that his father is in Vietnam. He never occupies the same panel, however, with Sally.
In 1975, the panel format was shortened slightly horizontally, and shortly thereafter the lettering became larger to compensate. Previously, the daily Peanuts strips were formatted in a four-panel "space saving" format beginning in the 1950s, with a few very rare eight-panel strips, that still fit into the four-panel mold. Beginning on Leap Day in 1988, Schulz abandoned the four-panel format in favor of three-panel dailies and occasionally used the entire length of the strip as one panel, partly for experimentation, but also to combat the dwindling size of the comics page.[citation needed]
Schulz drew the strip for nearly 50 years, with no assistants, even in the lettering and coloring process.
In the late 1970s, during Schulz's negotiations with United Feature Syndicate over a new contract, syndicate president William C. Payette hired superhero comic artist Al Plastino to draw a backlog of Peanuts strips to hold in reserve in case Schulz left the strip. When Schulz and the syndicate reached a successful agreement, United Media stored these unpublished strips, the existence of which eventually became public. Plastino himself also claimed to have ghostwritten for Schulz while Schulz underwent heart surgery in 1983.
In the 1980s and the 1990s, the strip remained the most popular comic in history, even though other comics, such as Garfield and Calvin and Hobbes, rivaled Peanuts in popularity. Schulz continued to write the strip until announcing his retirement on December 14, 1999, due to his failing health.
The final daily original Peanuts comic strip was published on Monday, January 3, 2000. The strip contained a note to the readers of the strip from Schulz and a drawing of Snoopy, with his trusty typewriter, sitting atop his doghouse deep in thought. Beginning the next day, a rerun package premiered in papers that had elected to pick it up (see below). Although Schulz did not draw any daily strips that ran past January 3, he had drawn five Sunday strips that had yet to run. The first of these appeared six days after the last daily, on January 9.
On February 13, 2000, the day after Schulz's death, the last-ever new Peanuts strip ran in papers. Three panels long, it begins with Charlie Brown answering the phone with someone on the other end presumably asking for Snoopy. Charlie Brown responds with "No, I think he's writing." The next panel shows Snoopy sitting at his typewriter with the opening to a letter addressed to "Dear Friends". The final panel features a large blue sky background over which several drawings from past strips are placed. Underneath those drawings is a colorized version of Schulz's January 3 strip, with almost the same note he wrote to fans, which reads as follows:
- “Dear Friends, I have been fortunate to draw Charlie Brown and his friends for almost fifty years. It has been the fulfillment of my childhood ambition. Unfortunately, I am no longer able to maintain the schedule demanded by a daily comic strip. My family does not wish "Peanuts" to be continued by anyone else, therefore I am announcing my retirement. I have been grateful over the years for the loyalty of our editors and the wonderful support and love expressed to me by fans of the comic strip. Charlie Brown, Snoopy, Linus, Lucy ... how can I ever forget them ...”
- ―Charles M. Schulz
Many other cartoonists paid tribute to Peanuts and Schulz by homages in their own strips, appearing on February 13, 2000, or in the week beforehand. The comic was reprinted the day after that, but only had the farewell letter. After Peanuts ended, United Feature Syndicate began offering the newspapers that ran it a package of reprinted strips under the title Classic Peanuts. The syndicate limited the choices to either strips from the 1960s or from the 1990s, although a newspaper was also given the option to carry both reprint packages if it desired. All Sunday strips in the package, however, come from the 1960s.
Peanuts continues to be prevalent in multiple media through widespread syndication, the publication of The Complete Peanuts, the release of several new television specials (all of which Schulz had worked on, but had not finished, before his death), and Peanuts Motion Comics. Additionally, BOOM! Studios has published a series of comic books that feature new material by new writers and artists, although some of it is based on classic Schulz stories from decades past, as well as including some classic strips by Schulz, mostly Sunday color strips.
Universal Uclick's website, GoComics.com, announced on January 5, 2015 that they would be launching "Peanuts Begins", a feature rerunning the entire history of the strip from the beginning in colorized form. This was done to honor the 65th anniversary of the strip's debut.
Pre-Warner Bros. Era (1948-2007)[]
Peanuts was adapted into 45 animated specials from 1965 to 2011, most of them released on television and theatrical films. This article describes the history of these programs, including notable sponsors, directors, and voice actors.
In addition to the strip and numerous books, the Peanuts characters have appeared in animated form on television numerous times. This started when the Ford Motor Company licensed the characters in early 1959 for a series of color television commercials for its automobiles and intros for The Tennessee Ernie Ford Show which they sponsored. While the show ended in 1961, the deal lasted another three years. The ads were animated by Bill Meléndez for Playhouse Pictures, a cartoon studio that had Ford as a client. Schulz and Meléndez became friends, and when producer Lee Mendelson decided to make a two-minute animated sequence for a TV documentary called A Boy Named Charlie Brown in 1963, he brought on Meléndez for the project.
Before the documentary was completed, the three of them (with help from their sponsor, the Coca-Cola Company) produced their first half-hour animated special, the Emmy- and Peabody Award-winning A Charlie Brown Christmas, which was first aired on the CBS network on December 9, 1965. This episode is undoubtedly the most widely recognized of all Peanuts TV specials. This came after Coca-Cola asked Mendelson if he had a Christmas special. He said "yes." The next day he called Schulz up and said they were making A Charlie Brown Christmas.
The animated version of Peanuts differs in some aspects from the strip. In the strip, adult voices are heard, though conversations are usually only depicted from the children's end. To translate this aspect to the animated medium, the sound of a trombone with a solotone mute (created by Vince Guaraldi[citation needed] played by Dean Hubbard) was used to simulate adult "voices." A more significant deviation from the strip was the treatment of Snoopy. In the strip, the dog's thoughts are verbalized in thought balloons; in animation, he is typically mute, his thoughts communicated through growls or laughs (voiced by Bill Meléndez), and pantomime, or by having human characters verbalizing his thoughts for him. These treatments have both been abandoned temporarily in the past. For example, they experimented with teacher dialogue in She's a Good Skate, Charlie Brown. The elimination of Snoopy's "voice" is probably the most controversial aspect of the adaptations, but Schulz apparently approved of the treatment.
The success of A Charlie Brown Christmas was the impetus for CBS to air many more prime-time Peanuts specials over the years, beginning with Charlie Brown's All-Stars and It's the Great Pumpkin, Charlie Brown in 1966. In total, more than thirty animated specials were produced. Until his death in 1976, jazz pianist Vince Guaraldi composed musical scores for the specials, in particular, the piece "Linus and Lucy" which has become popularly known as the signature theme song of the Peanuts franchise.
The 1971 TV special Play It Again, Charlie Brown was the first time that someone other than Peter Robbins voiced Charlie Brown which in this case was Chris Inglis. The characters voices were slightly deeper than usual. It would be like that for the rest of the TV specials. Starting with A Charlie Brown Thanksgiving, Phil Roman would direct the specials. It's Arbor Day, Charlie Brown was the last special produced during Vince Guaraldi's lifetime as he died two months before this special aired. It was dedicated to him.
Ed Bogas composed the musical scores of Peanuts television specials 1977 until 1989. Judy Munsen composed the musical scores alongside Ed Bogas from 1977 until 1992. Desirée Goyette briefly composed the musical scores on and off during the 1980s. Race for Your Life, Charlie Brown was the first project done after Guaraldi's death. It used the same voice cast as You're a Good Sport, Charlie Brown. It's Your First Kiss, Charlie Brown and What a Nightmare, Charlie Brown! featured Linus & Lucy arrangement's Ed Bogas and Judy Munsen.
Starting with A Charlie Brown Celebration, Bill Melendez would direct the specials again. A Charlie Brown Celebration, It's an Adventure, Charlie Brown, and The Charlie Brown and Snoopy Show all had vignettes while It's Flashbeagle, Charlie Brown, You're a Good Man, Charlie Brown, and Snoopy!!! The Musical were musicals though there were two songs in Happy New Year, Charlie Brown!. It's the Girl in the Red Truck, Charlie Brown was the only special during this period in which Ed Bogas, Judy Munsen, or Desiree Goyette were not involved in music production with Paul Rodriquez as the composer. The former and latter would stop scoring the specials in 1990.
David Benoit redid Vince Guaraldi's musical scores from 1992 until 2006. Since then, various composers have composed the musical scores in more recent productions. By the mid-1990s, the specials' popularity had begun to wane, and CBS showed disinterest in new specials, even rejecting It's Spring Training, Charlie Brown completely. An eight-episode TV miniseries called This is America, Charlie Brown, for instance, was released during a writer's strike. Also, NBC aired You're in the Super Bowl, Charlie Brown in 1994 (the first special not to air on CBS) ten days before Super Bowl XXVIII. Eventually, the last Peanuts specials made during Schulz' lifetime were released direct-to-video, and no new ones were created until after the year 2000 when ABC obtained the rights to the three fall holiday specials. The Nickelodeon cable network re-aired a package of most of the specials produced before 1992, as well as The Charlie Brown and Snoopy Show and This Is America, Charlie Brown, under the umbrella title You're on Nickelodeon, Charlie Brown between 1998 and 2000.
The Warner Bros. Era (2007-2017)[]
Video rights to all the films and TV specials were licensed by Media Home Entertainment and Kartes Video Communications in the 1980s. In the early 1990s, the rights were acquired by Paramount Pictures and the company released all of the TV specials under their Paramount Home Video label. The distribution rights to the TV specials are now with Warner Bros. Television and Warner Home Video, who purchased the rights from Paramount in 2007 and managed by its classic animation division and also its family film and children’s entertainment label.
Eight Peanuts-based specials have been made posthumously. Of these, three are tributes to Peanuts or other Peanuts specials, and five are completely new specials based on dialogue from the strips and ideas given to ABC by Schulz before his death. He's a Bully, Charlie Brown, was telecast on ABC on November 20, 2006, following a repeat broadcast of A Charlie Brown Thanksgiving. Airing 43 years after the first special, the premiere of He's a Bully, Charlie Brown was watched by nearly 10 million viewers, winning its time slot and beating a Madonna concert special. In the 2010 Macy's Thanksgiving Day Parade, it was announced that a new Peanuts animated special, Happiness Is a Warm Blanket, Charlie Brown, would debut in 2011. The special was released on DVD first, on March 29, 2011, and later premiered on Fox, on November 24, 2011.
Many of the specials and feature films have also been released on various home video formats over the years. To date, 20 of the specials, the two films A Boy Named Charlie Brown and Snoopy, Come Home, and the miniseries This Is America, Charlie Brown have all been released to DVD.
In October 2007, Warner Bros. acquired the Peanuts catalog from Paramount for an undisclosed amount of money. As aforementioned, they now hold the worldwide distribution rights for all Peanuts properties including over 50 television specials—these are originally managed by Warner Bros. Television and Warner Bros. Television Animation. Warner has made plans to develop new specials for television as well as the direct to video market, as well as short subjects for digital distribution, and some of these have in fact already been released via the now-defunct Warner Premiere. Paramount, however, still retains the rights to the first four theatrical releases, with CBS (a sibling of Paramount under ViacomCBS) holding the rights on the first two films (as they were produced though a short lived division known as Cinema Center Films).
As of 2017, the franchise rights were transferred from Warner Bros. to DHX Media, and of 2019, it's transferred to WildBrain.
Franchise Sale[]
On June 3, 2010, United Media sold all its Peanuts-related assets, including its strips and branding, to a new company, Peanuts Worldwide LLC, a joint venture of the Iconix Brand Group (which owned 80 percent) and Charles M. Schulz Creative Associates (20 percent). In addition, United Media sold its United Media Licensing arm, which represents licensing for its other properties, to Peanuts Worldwide. United Feature Syndicate continued to syndicate the strip, until February 27, 2011, when Universal Uclick took over syndication, ending United Media's 60-plus-year stewardship of Peanuts.
In May 2017, DHX Media announced that it would acquire Iconix's entertainment brands, including the 80% stake of Peanuts Worldwide and full rights to the Strawberry Shortcake brand, for $345 million. DHX officially took control of the properties on June 30, 2017.
On May 13, 2018, DHX announced it had reached a strategic agreement for Sony Music Entertainment Japan to acquire 49% of its 80% stake in Peanuts Worldwide for $185 million, with DHX holding a 41% stake and SMEJ owning 39%. (SMEJ's consumer products division has been a licensing agent for the Peanuts brand since 2010.) The transaction was completed on July 23. Two months after the sale's completion, DHX eliminated the rest of its debt by signing a five-year, multi-million-dollar agency agreement with CAA-GBG Global Brand Management Group (a brand management joint venture between Creative Artists Agency and Hong Kong-based Global Brands Group) to represent the Peanuts brand in China and the rest of Asia excluding Japan.
As of 2019, the rights to Peanuts are now owned by WildBrain.
Characters[]
This is a list of characters from the comic strip Peanuts by Charles M. Schulz. This list contains limited information on the characters; for more, visit their respective articles.
Main[]
Charlie Brown[]
Snoopy[]
Linus van Pelt[]
Lucy van Pelt[]
Peppermint Patty[]
Marcie[]
Woodstock[]
Supporting[]
Sally Brown[]
Schroeder[]
Pig-Pen[]
Franklin[]
Others[]
Spike[]
Patty[]
Shermy[]
Violet Gray[]
Frieda[]
Rerun Van Pelt[]
Eudora[]
Peggy Jean[]
Snoopy's family[]
In Charles M. Schulz's comic strip Peanuts, the imaginative beagle Snoopy has seven brothers and sisters. Five appeared at various times in the strip: four brothers, Spike, Andy, Marbles, and Olaf; and one sister, Belle. The two others were never mentioned by name in the comic strip, but the whole family appeared in the 1991 television special Snoopy's Reunion, introducing the two unknown siblings, identified in the special as Molly and Rover.
Snoopy's older brother Spike — a skinny, sleepy-looking dog in a beat-up fedora — is the most familiar to readers of the strip. Spike was introduced in 1975, and appeared frequently in the 1980s, living alone in the desert of Needles, California with coyotes and cacti. Snoopy's sister Belle, who first appeared in 1976, made only a few appearances in the comic strip, but the character was heavily merchandised in the 1970s and 80s. Snoopy and Belle were the subjects of several international fashion exhibitions, with prominent designers creating outfits for plush dolls of the two siblings.
Snoopy having seven siblings was an element of the strip that developed as the strip evolved. Originally described in a June 1959 strip as an "only dog", Snoopy went to a family reunion with several unnamed siblings in a May 1965 sequence. In March 1970, Snoopy wrote in his autobiography that he was one of seven puppies, and the number reached its final count of eight beagles in December 1972.
In a 1987 interview, Schulz said that he felt introducing Snoopy's siblings was a mistake, similar to the introduction of Eugene the Jeep in Thimble Theatre: "I think Eugene the Jeep took the life out of Popeye himself, and I'm sure Segar didn't realize that. I realized it myself a couple of years ago when I began to introduce Snoopy's brothers and sisters. I realized that when I put Belle and Marbles in there it destroyed the relationship that Snoopy has with the kids, which is a very strange relationship. And these things are so subtle when you're doing them, you can make mistakes and not realize them." Schulz elaborated further in another 1987 interview: "Snoopy had a sister, Belle, whom I discovered I really didn't like. I brought in Spike and I like Spike a lot. But when I brought another brother in — I thought Marbles would make a great name for a dog — I discovered almost immediately that bringing in other animals took the uniqueness away from Snoopy. So the only other animal character who works now is Spike, as long as Spike stays out in the desert."
Snoopy's siblings all appeared in the 1991 television special Snoopy's Reunion, in which Snoopy discovers that the Daisy Hill Puppy Farm has been replaced with a parking garage. Snoopy gathers his siblings together to perform as a country band. The two unnamed siblings are given the names Molly and Rover in the special; however, their appearance is not considered canonical in the comic strip.
Siblings[]
Spike[]
Spike, Snoopy's older brother who lived in the desert, was the most frequently-seen sibling in the strip. He was introduced in the August 13, 1975 strip. He was a recurring character between 1984 and 1988, and was also used in one-off appearances sporadically through the rest of Peanuts history. Spike is named after Charles Schulz's childhood dog.
Spike's appearance is similar to Snoopy's, but he is substantially thinner, has a perpetually sleepy-eyed look, sports long, droopy whiskers that look like a mustache, and wears a fedora. He sometimes wears Mickey Mouse shoes which were a gift from Mickey Mouse. He is called Snoopy's older brother during the first story in which he appears.
Spike lives alone in a cactus, in the middle of the desert near Needles, California, only occasionally interacting with the principal characters in the strip, generally in visiting Snoopy. His friends are mostly inanimate saguaro cacti and an occasional tumbleweed. In 1991's Snoopy's Reunion, Spike's home was a huge hollow saguaro in which he kept books and his fiddle.
When Spike debuted in the strip in August 1975, it was revealed that his exceptionally low weight was because he had been living with coyotes, and his job was to clean out their den, which apparently causes him to burn off a lot of body fat. Although he got a better-fed appearance after his first visit to the Brown household, he apparently had to go "back to business" soon after returning home, for he soon became as thin as before.
He temporarily became Rerun's dog in I Want a Dog for Christmas, Charlie Brown, and also starred in his own television special, It's the Girl in the Red Truck, Charlie Brown. He was also a main character in Snoopy's Getting Married, Charlie Brown, where he is shown traveling from Needles to visit Snoopy to be the best beagle at his wedding. Spike competes in a dog race to earn money for a bus ticket. He wins the race, but then gets disqualified for not being a greyhound. The final scene shows Spike returning home to Needles where his private residence is a hollowed-out saguaro cactus with modern amenities inside, where he is rewarding himself for his long travels by eating cake from Snoopy's wedding.
Another storyline was in 1994 when he and his brothers Olaf and Andy visit Snoopy in the hospital. They abruptly leave shortly after Snoopy recovers.
Beginning in a series of strips from May 1981, Spike began joining Snoopy in his World War I escapades as an infantryman fighting in the trenches, the one change in Spike's appearance being that he wears a WWI-style army Brodie helmet instead of his trademark fedora. In a 1996 series when Spike himself comes down ill with the flu, Snoopy and Spike's mother Missy came over on a troopship to visit wearing a fur hat (the soldiers manning the rails of the troopship were also beagles). This was her sole appearance in the strip. At least two strips mentioned his meeting with Mickey Mouse.
In Snoopy's Reunion, Spike is shown being taken away by a rich family (with a limo). In the September 18, 1994, Sunday comic, Spike admits that he ran away from his owners to Needles after accidentally chasing a rabbit into a road, where it was run over. In The Charlie Brown and Snoopy Show episode "The Lost Ballpark" Spike made a cameo appearance, his first appearance in any medium other than newspapers.
Spike's final appearance in the strip was on December 21, 1999, two months before the strip concluded. A large statue of Spike resides in a Subway restaurant in Needles. The Schulz family lived in Needles from 1928 to 1930. They moved to Needles to join other family members who had relocated from Minnesota to tend to an ill cousin.
Belle[]
Belle is Snoopy's sister, who first appeared in the strip on June 28, 1976. She lives in Kansas City, Missouri, with her teenage son, whom Snoopy noted as resembling the Pink Panther. Belle herself bears a strong resemblance to Snoopy, but with longer eyelashes. In addition, she wears a lace collar and sometimes wears a pearl necklace.
Belle only made a few appearances in the strip, but is remembered because of the Belle stuffed animal toys sold in the late 1970s and early 1980s. San Francisco toy merchandiser Determined Productions had the license to make Snoopy plush toys, and they introduced Belle plush after receiving many requests from children who wanted a female "sister" doll.
The character was extensively merchandised by Determined Productions, who produced Snoop Many people who were not regular readers of the comic strip mistakenly thought that she was Snoopy's girlfriend rather than his sister.
Snoopy's sister made her first appearance in the comic strip on June 28, 1976. Belle also appeared briefly in the opening sequence of The Charlie Brown and Snoopy Show.
In 1984, Snoopy and Belle inspired fashion designers around the world, including Lagerfeld, Armani, and de la Renta to create one-of-a-kind outfits in their honor. Both beagles modeled for the "Snoopy in Fashion" exhibition held that year in Japan. "Snoopy & Belle in Fashion" continues to be exhibited as of 2020. Photographs of the exhibition were collected in a 1988 book, Snoopy in Fashion.
There was another traveling exhibition of Snoopy and Belle plush in outfits made by fashion designers in 1990, as a celebration of the comic strip's fortieth anniversary. This exhibition began in Paris at the Louvre Museum, and then to the Mitsukoshi department store in Tokyo, followed by showings in Los Angeles, New York City, London, Milan and Madrid. Photographs from this collection were published as Snoopy Around the World.
Other than the appearance in the opening credits of the TV series, Belle's only animated special was 1991's Snoopy's Reunion. Also she was mentioned, but not seen, in 2003's I Want a Dog for Christmas, Charlie Brown.
Andy & Olaf[]
Andy and Olaf live together on a farm. Andy is distinguished by his shaggy coat but otherwise looks like Snoopy. Olaf is obese and wears a hunting cap, and aside from his ears, bears little resemblance to Snoopy or his other siblings.
Olaf is first seen during a series on January 19, 1989, in which he visits Snoopy. During this sequence, Lucy enters with Olaf in an "ugly dog" contest, which he wins (much to his disappointment). He appears again in 1994, when he, Andy, and Spike visit Snoopy, who is in the hospital. After Snoopy recovers, the three brothers abruptly leave. This is the first appearance of Andy in the strip.
After that, Olaf and Andy are shown in several 1994 strips. They are sitting against a barn contemplating what direction their lives should go in. They appeared sporadically after that.
His animated debut was the 1991 TV special Snoopy's Reunion. Andy is based on a wire-haired fox terrier (also named Andy) that Schulz owned from October 1988 to March 1994.
Both Olaf and Andy made their second animated appearance in I Want a Dog for Christmas, Charlie Brown via a flashback scene.
Marbles[]
Marbles is the oldest and reputedly the smartest of the siblings, whose only appearances in the comic strip were in 1982 from September 28 to October 9. Marbles is the only sibling whose ears are spotted rather than being solid-colored. Unlike Snoopy's siblings Spike and Belle, he does not share in Snoopy's fantasy World War I scenarios, seeing Snoopy's Sopwith Camel as his doghouse, an "ambulance" as a shopping cart, etc. while commenting that "...[Snoopy] was always the quiet one in the family." He leaves a visit to his brother over this. He was also seen to wear jogging shoes.
He also appeared in the 1991 animated feature Snoopy's Reunion and in a flashback from I Want a Dog for Christmas, Charlie Brown, when Charlie Brown was talking to Rerun about Snoopy's siblings. Marbles plays the banjo.
Molly and Rover[]
The other two siblings, Molly and Rover, appeared in the 1981 TV special Snoopy's Reunion; however, Schulz never depicted or named these characters in the comic strip, so these names are not considered to be canonical.
Parents[]
Baxter and Missy[]
Snoopy's parents, Baxter and Missy, have each appeared only once in the comic strip (Baxter on June 18, 1989, and Missy on July 26, 1996,) but only Missy appeared on television. Missy appeared in Snoopy's Reunion in the flashback of when Snoopy and his siblings are born and being bought by people. Baxter is said to have lived in Florida, has a large white mustache, and wears glasses and a baseball cap. Missy bears a strong resemblance to Snoopy and Belle and wore a fur hat.
Unseen[]
- Adults implied in the strip (but not seen) include: all of the characters' parents; Linus van Pelt's teacher Miss Othmar; Miss Halverson (Miss Othmar's replacement); Charlie Brown's baseball hero Joe Shlabotnik; and Linus's blanket-hating grandmother. Adults in most of the Peanuts animated cartoons are only heard by the unintelligible (to the audience) sounds of a trombone (wah-wah-wah).
- The Little Red-Haired Girl (Charlie Brown's crush), seen in many animated television specials where she was known as "Heather", but was never seen in the strip itself (except once in silhouette).
- The Great Pumpkin, a holiday figure whom Linus believes to appear in the most sincere pumpkin patch to deliver presents to good children, but never confirmed to be real and is likely a legendary creation of Linus's imagination.
- The Cat Next Door who often destroys Snoopy's house.
- The Red Baron, is the nemesis Snoopy fights while in the guise of a World War I Flying Ace complete with goggles, helmet and scarf. The battles occur while Snoopy is perched on his doghouse that becomes his Sopwith Camel plane through the power of his imagination. The battles between Snoopy and the Red Baron began in an October 10, 1965 Peanuts strip.
Legacy[]
Robert L. Short interpreted certain themes and conversations in Peanuts as consistent with parts of Christian theology, and used them as illustrations in his lectures on the Gospel, as explained in his book The Gospel According to Peanuts, the first of several he wrote on religion, Peanuts, and popular culture.
Giant helium balloons of Snoopy (seven versions), Charlie Brown (two versions), and Woodstock (two versions) have been featured in the annual Macy's Thanksgiving Day Parade in New York City since 1968. This was referenced in a 2008 Super Bowl XLII commercial for Coca-Cola, in which the Charlie Brown balloon snags a Coca-Cola bottle from two battling balloons (Underdog and Stewie Griffin).
Snoopy has been the personal safety mascot for NASA astronauts since 1968, and NASA issues a Silver Snoopy award to its employees or contractors' employees who promote flight safety. The black-and-white communications cap carrying an audio headset worn since 1968 by the Apollo, Skylab, and Space Shuttle astronauts was commonly referred to as a Snoopy cap.
The Apollo 10 lunar module's call sign was Snoopy, and the command module's call sign was Charlie Brown. While not included in the mission logo, Charlie Brown and Snoopy became semi-official mascots for the mission. Charles Schulz drew an original picture of Charlie Brown in a spacesuit that was hidden aboard the craft to be found by the astronauts once they were in orbit. This drawing is now on display at the Kennedy Space Center.
The December 1997 issue of The Comics Journal featured an extensive collection of testimonials to Peanuts. Over 40 cartoonists, from mainstream newspaper cartoonists to underground, independent comic artists, shared reflections on the power and influence of Schulz's art. Gilbert Hernandez wrote, "Peanuts was and still is for me a revelation. It's mostly from Peanuts where I was inspired to create the village of Palomar in Love and Rockets. Schulz's characters, the humor, the insight ... gush, gush, gush, bow, bow, bow, grovel, grovel, grovel ..." Tom Batiuk wrote: "The influence of Charles Schulz on the craft of cartooning is so pervasive it is almost taken for granted." Batiuk also described the depth of emotion in Peanuts: "Just beneath the cheerful surface were vulnerabilities and anxieties that we all experienced, but were reluctant to acknowledge. By sharing those feelings with us, Schulz showed us a vital aspect of our common humanity, which is, it seems to me, the ultimate goal of great art."
Cartoon tributes have appeared in other comic strips since Schulz's death in 2000 and are now displayed at the Charles Schulz Museum. In May 2000, many cartoonists included a reference to Peanuts in their strips. Originally planned as a tribute to Schulz's retirement, after his death that February it became a tribute to his life and career. Similarly, on October 30, 2005, several comic strips again included references to Peanuts and specifically the It's the Great Pumpkin, Charlie Brown television special.
Peanuts on Parade is St. Paul, Minnesota's tribute to Peanuts. It began in 2000, with the placing of 101 five-foot-tall (1.5 m) statues of Snoopy throughout the city of Saint Paul. The statues were later auctioned at the Mall of America in Bloomington, Minnesota. In 2001, there was "Charlie Brown Around Town", 2002 brought "Looking for Lucy", and in 2003, "Linus Blankets Saint Paul". Permanent bronze statues of the Peanuts characters are found in Landmark Plaza in downtown St. Paul.
A Peanuts World War I Flying Ace U.S. commemorative postage stamp was released on May 17, 2001. The value was 34 cents, first class.
In 2001, the Sonoma County Board of Supervisors renamed the Sonoma County Airport, located a few miles northwest of Santa Rosa, California, the Charles M. Schulz Airport in his honor. The airport's logo features Snoopy as the World War I Flying Ace (goggles/scarf), taking to the skies on top of his red doghouse (the Sopwith Camel). A bronze statue of Charlie Brown and Snoopy stands in Depot Park in downtown Santa Rosa.
Books[]
The Peanuts characters have been featured in many books over the years. Some represented chronological reprints of the newspaper strip, while others were thematic collections such as Snoopy's Tennis Book, or collections of inspirational adages such as Happiness Is a Warm Puppy. Some single-story books were produced, such as Snoopy and the Red Baron. In addition, many of the animated television specials and feature films were adapted into book form.
The primary series of reprints was published by Rinehart & Company (later Holt, Rinehart and Winston) beginning in 1952, with the release of a collection simply titled Peanuts. This series, which presented the strips in rough chronological order (albeit with many strips omitted from each year) continued through the 1980s, after which reprint rights were handed off to various other publishers. Ballantine Books published the last original series of Peanuts reprints, including Peanuts 2000, which collected the final year of the strip's run.
Coinciding with these reprints were smaller paperback collections published by Fawcett Publications. Drawing material from the main reprints, this paperback series began with The Wonderful World of Peanuts in 1962 and continued through Lead On, Snoopy in 1992.
Charles Schulz had always resisted republication of the earliest Peanuts strips, as they did not reflect the characters as he eventually developed them. However, in 1997 he began talks with Fantagraphics Books to have the entire run of the strip, which would end up with 17,897 strips in total, published chronologically in book form. In addition to the post-millennium Peanuts publications are BOOM! Studios restyling of the comics and activity books, and "First Appearances" series. Its content is produced by Peanuts Studio, subsequently an arm of Peanuts Worldwide LLC.
The Complete Peanuts[]
The entire run of Peanuts, covering nearly 50 years of comic strips, was reprinted in Fantagraphics' The Complete Peanuts, a 26-volume set published over a 12-year period, consisting of two volumes per year published every May and October. The first volume (collecting strips from 1950 to 1952) was published in May 2004; the volume containing the final newspaper strips (including all the strips from 1999 and seven strips from 2000, along with the complete run of Li'l Folks) was published in May 2016, with a twenty-sixth volume containing outside-the-daily-strip Peanuts material by Schulz appeared in the fall of that year. A companion series, titled Peanuts Every Sunday and presenting the complete Sunday strips in color (as the main Complete Peanuts books reproduce them in black and white only), was launched in December 2013; this series will run ten volumes, with the last expected to be published in 2022.
In addition, almost all Peanuts strips are now also legally available online at GoComics.com (there are some strips missing from the digital archive). Peanuts strips were previously featured on Comics.com.
Anniversary books[]
Several books have been released to commemorate key anniversaries of Peanuts:
- 20th (1970) – Charlie Brown & Charlie Schulz — a tie-in with the TV documentary Charlie Brown and Charles Schulz that had aired May 22, 1969
- 25th (1975) – Peanuts Jubilee
- 30th (1980) – Happy Birthday, Charlie Brown
- 30th (1980) – Charlie Brown, Snoopy and Me
- 35th (1985) – You Don't Look 35, Charlie Brown
- 40th (1990) – Charles Schulz: 40 Years of Life & Art
- 45th (1995) – Around the World in 45 Years
- 50th (2000) – Peanuts: A Golden Celebration
- 50th (2000) – 50 Years of Happiness: A Tribute to Charles Schulz
- 60th (2009) – Celebrating Peanuts
Adaptations[]
Animation[]
The strip was first adapted into animation in The Tennessee Ernie Ford Show. A TV documentary A Boy Named Charlie Brown (1963), featured newly animated segments but this did not air due to not being able to find a channel willing to broadcast it. It did however shape the team for A Charlie Brown Christmas (1965), a half-hour Christmas special broadcast on CBS. It was met with extensive critical success. It was the first of a set of Peanuts television specials (second counting the 1963 documentary), and forms a selection of holiday-themed specials which are aired annually in the US to the present day, including It's the Great Pumpkin, Charlie Brown (1966), and A Charlie Brown Thanksgiving (1973). The animated specials were significant to the cultural impact of Peanuts; they were remarked in 1972 as being "among the most consistently popular television specials" and "regularly have been in the top 10 in the ratings". The specials were acquired by Apple TV+ in 2020. The first feature-length film, A Boy Named Charlie Brown, came in 1969, and was one of four which were produced before the comic strip ended. A Saturday morning television series aired in 1983, each episode consisting of three or four segments dealing with plot lines from the strip. An additional spin-off miniseries, This Is America, Charlie Brown, aired in 1988, exploring the history of the United States.
The characters continue to be adapted into animation after the comic strip ended, with the latest television special Happiness Is a Warm Blanket, Charlie Brown made in 2011. A series of cartoon shorts premiered on iTunes, as Peanuts Motion Comics (2008), which directly lifted themes and plot lines from the strip. In 2014, the French network France 3 debuted Peanuts by Schulz, a series of episodes each consisting of several roughly one-minute shorts bundled together. The latest feature-length film, The Peanuts Movie, was released in 2015. A series for the streaming service Apple TV+, Snoopy in Space, was released in 2019, and The Snoopy Show was announced in 2020.
Television specials[]
Television series[]
Films[]
Music[]
The album A Charlie Brown Christmas was recorded in 1965, the original soundtrack from the animated television special of the same name. It was performed by the jazz trio led by pianist Vince Guaraldi. It enjoys enduring critical, commercial, and cultural success; employing a sombre and whimsical style, songs such as Christmas Time Is Here evoke a muted and quiet melody, and arrangements such as the traditional carol O Tannenbaum improvised in a light, off-centre pace. The album has continued popularity to the present day; writer Chris Barton for the Los Angeles Times praised it in 2013 as "one of the most beloved holiday albums recorded", Al Jazeera described it as "one of the most popular Christmas albums of all time". The album was added to the national recording registry of the Library of Congress in 2012, being regarded as "culturally, historically, or aesthetically important".
The American rock band The Royal Guardsmen recorded four novelty songs from 1966 to 1968 as tributes to Snoopy. The first song was released as the single Snoopy Vs. The Red Baron (1966), based on the storyline of Snoopy sitting atop his dog house imagining himself as a World War I pilot, battling the German flying ace The Red Baron. The band would later release two more similar songs in 1967, Return of The Red Baron and Snoopy's Christmas. In 1968 they recorded Snoopy for President.
Theater[]
The characters first appeared in live stage production in 1967 with the musical You're a Good Man, Charlie Brown, scored by Clark Gesner. It is a collection of musical sketches, where the characters explore their identities and discover the feelings they have for each other. The play was performed off-broadway, as well as later being performed as a live telecast on NBC. The play continued to have other professional performances, in the London West End, and later a Broadway revival, while also being a popular choice of musical by amateur theater groups such as schools.
A second musical premiered in 1975, Snoopy! The Musical, scored by Larry Grossman with lyrics by Hal Hackady. A sequel to You're a Good Man, Charlie Brown, Snoopy! is also a collection of musical sketches, though focused on Snoopy. It was first performed in San Francisco, and eventually off-Broadway for 152 performances.
You're a Good Man, Charlie Brown and Snoopy!!! The Musical were both further adapted as animated television specials, respectively, in 1985 and in 1988. Going in the opposite direction from animation to live production, is the 2016 A Charlie Brown Christmas, based on the animated television special of the same name. It is considered a generally faithful readaptation, although it features the additional characters Woodstock and Peppermint Patty who did not exist in the strip when the original was made.
Licensing[]
Advertising and retail[]
The characters from the comic have long been licensed for use on merchandise, the success of the comic strip helping to create a market for such items. In 1958, the Hungerford Plastics Corporation created a set of five vinyl dolls of the most famous characters (Charlie Brown, Snoopy, Lucy, Linus, and Schroeder); they expanded this line in 1961 to make the dolls slightly larger and included Sally and Pig-Pen. An early example of the characters appearing in promotional material was strips and illustrations drawn by Schulz for the 1955 instructional booklet for the Kodak Brownie camera, The Brownie Book of Picture Taking. Another early campaign was on behalf of Ford Motor Company; magazine illustrations, brochure illustrations, and animated television spots featuring the characters were used to promote the Ford Falcon from January 1960 into 1964. Schulz credited the Ford campaign as the first time where licensing the characters earned "a lot of money". However, he expressed a dislike of illustrating the adverts, describing it as "hard work" and would have preferred to dedicate equivalent effort to drawing the Sunday format strips.
Some licensing relationships were maintained long-term. Hallmark began printing greetings cards and party goods featuring the characters in 1960. In the late 1960s, Sanrio held the licensing rights in Japan for Snoopy. Sanrio is best known for Hello Kitty and its focus on the kawaii segment of the Japanese market. Beginning in 1985, the characters were made mascots and served as spokespeople for the MetLife insurance company, with the intention to make the business "more friendly and approachable". Schulz justified the licensing relationship with MetLife as necessary to financially support his philanthropic work, although refused to openly describe the exact details of the work he was financing. In 2016 the 31-year licensing relationship with MetLife ended.
In 1999 it was estimated that there were 20,000 different new products each year adorning a variety of licensed items, such as: clothing, plush toys of Snoopy, Thermos bottles, lunch boxes, picture frames, and music boxes. The familiarity of the characters also proved lucrative for advertising material in both print and television, appearing on products such as Dolly Madison snack cakes, Chex Mix snacks, Bounty paper towels, Kraft macaroni cheese and A&W Root Beer.
The sheer extent to which the characters are used in licensed material is a subject of criticism against Schulz. Los Angeles Times pointed out that "some critics [say] Schulz was distracted by marketing demands, and his characters had become caricatures of themselves by shilling for Metropolitan Life Insurance, Dolly Madison cupcakes and others." Schulz reasoned that his approach to licensing was in fact modest, stating "our [licensing] program is built upon characters who are figuratively alive" and "we're not simply stamping these characters out on the sides of products just to sell products" while also adding "Snoopy is so versatile he just seems to be able to fit into any role and it just works. It's not that we're out to clutter the market with products. In fact anyone saying we're overdoing it is way off base because actually we are underdoing it".
Games[]
The Peanuts characters have appeared in various video games, such as Snoopy in 1984 by Radarsoft, Snoopy: The Cool Computer Game by The Edge, Snoopy and the Red Baron for the Atari 2600, Snoopy's Silly Sports Spectacular (1989, Nintendo Entertainment System), Snoopy's Magic Show (1990, Game Boy), Snoopy Tennis (2001, Game Boy Color), Snoopy Concert which was released in 1995 and sold to the Japanese market for the Super NES, and in October 2006, a second game titled Snoopy vs. The Red Baron by Namco Bandai for the PlayStation 2. In July 2007, the Peanuts characters appeared in the Snoopy the Flying Ace mobile phone game by Namco Networks. In November 2015, Snoopy's Town Tale was launched for mobile by Pixowl, featuring the entire Peanuts gang along with Snoopy and Charlie Brown.
In 1980 (with a new edition published in 1990), the Funk & Wagnalls publishing house also produced a children's encyclopedia called the Charlie Brown's 'Cyclopedia. The 15-volume set features many of the Peanuts characters.
In April 2002, The Peanuts Collectors Edition Monopoly board game was released by USAopoly. The game was dedicated to Schulz in memory of his passing.
Amusement parks[]
In 1983, Knott's Berry Farm, in Southern California, was the first theme park to license the Peanuts characters, creating the first Camp Snoopy area and making Snoopy the park's mascot. Knott's expanded its operation in 1992 by building an indoor amusement park in the Mall of America, called Knott's Camp Snoopy. The Knott's theme parks were acquired by the national amusement park chain Cedar Fair Entertainment Company in 1997, which continued to operate Knott's Camp Snoopy park until the mall took over its operation in March 2005. Cedar Fair had already licensed the Peanuts characters for use in 1992 as an atmosphere, so its acquisition of Knott's Berry Farm did not alter the use of those characters.
Snoopy is currently the official mascot of all the Cedar Fair parks. It was previously used in all of the park logos but it has since been removed. Cedar Fair also operated a Camp Snoopy area at Dorney Park & Wildwater Kingdom, Worlds of Fun, and Valleyfair featuring various Peanuts-themed attractions until 2011. There is still a Camp Snoopy area at Cedar Point and Knott's Berry Farm.
In 2008, Cedar Point introduced Planet Snoopy, a children's area where Peanuts Playground used to be. This area consists of family and children's rides relocated from Cedar Point's sister park Geauga Lake after its closing. The rides are inspired by Peanuts characters. The area also consists of a "Kids Only" restaurant called Joe Cool Cafe (there is a small menu for adults). In 2010, the Nickelodeon Central and Nickelodeon Universe areas in the former Paramount Parks (California's Great America, Canada's Wonderland, Carowinds, Kings Dominion, and Kings Island) were replaced by Planet Snoopy. In 2011, Cedar Fair announced it would also add Planet Snoopy to Valleyfair, Dorney Park & Wildwater Kingdom, and Worlds of Fun, replacing the Camp Snoopy areas. ″Carowinds″ Planet Snoopy was rethemed to Camp Snoopy. Planet Snoopy is now at every Cedar Fair parks beside Knott's Berry Farm, Carowinds, Michigan's Adventure.
Also, the Peanuts characters can be found at Universal Studios Japan in the Universal Wonderland section along with the characters from Sesame Street and Hello Kitty.
Exhibition[]
An exhibition titled Good Grief, Charlie Brown! Celebrating Snoopy and the Enduring Power of Peanuts opened at Somerset House in London on 25 October 2018, running until 3 March 2019. The exhibition brought together Charles M. Schulz's original Peanuts cartoons with work from a wide range of acclaimed contemporary artists and designers who have been inspired by the cartoon.
Gallery[]
External Links[]
- Peanuts at GoComics.com
- Peanuts Turns 60 – slideshow by Life
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