After so much abuse (being thrown out of a store, beat up, shooed from a house), a cat decides he has to do something about it. So thinking that it make things easier, the cat disguises itself as a skunk using paint and smelly substances. The people fall for the disguise and run screaming.
After raiding a meat shop, the cat relaxes on a field, happy and full. Unfortunately, its stench attracts the unwanted attention of a real skunk named Henry! The cat runs from him and hides in a tree, which Henry manages to find with ease.
The cat runs into town, grabbing a skunk fur to trick Henry into thinking that it is him instead. The cat climbs onto a tall pillar and warns Henry that if he takes one step closer, he'll jump to his death. The skunk doesn't listen, and the cat tosses the fur off. As Henry mourns the death of the supposed skunk, the cat sneaks away. This doesn't work, for as soon as Henry spots the cat, he cuddles it. Continuing to run, a dog believes that the cat is a skunk, and faints when it sees Henry. Finally, the cat disguises itself as Bugs Bunny to fool Henry. A chase ensues. Running is no use as the cat soon finds itself tired and worn out.
Henry cuddles with it until his wife and two kids interrupt! Standing in disbelief, Henry claims he was only trying to remove a cinder from a lady's eye, but to no avail. The wife beats her husband with her umbrella. The cat crawls away and removes the paint and smell, realizing that he would rather endure the abuse.
The film is not part of the typical formula for the Pepé Le Pew series of cartoons, since the character is "unknowingly" attracted to a male cat. Most of the films in the series are "Picaresque stories of seduction and sexual conquest or its failure". Part of the film's twist ending is that Pepé is revealed as an American skunk who fakes his French accent. Given the theme of a married man/skunk attempting the seduction of another male, Ken Jennings suggests this film could be of interest to queer studies. Jennings sees the cat as a cross-dresser.