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Bones and All is a 2022 romantic horror film directed by Luca Guadagnino from a screenplay by David Kajganich, based on the 2015 novel Bones & All by Camille DeAngelis. Set in the late 1980s, the film stars Taylor Russell and Timothée Chalamet as a pair of young cannibals who flee together on a road trip across the United States of America and develop feelings for each other. Michael Stuhlbarg, André Holland, Chloë Sevigny, David Gordon Green, Jessica Harper, Jake Horowitz, and Mark Rylance appear in supporting roles.
Bones and All had its world premiere at the 79th Venice International Film Festival on September 2, 2022, where it won the Silver Lion for best direction and the Marcello Mastroianni for Russell. The film was released theatrically in the United States on November 18, by United Artists Releasing, and elsewhere by Warner Bros. Pictures, with the exception of Italy, where it was distributed by Vision Distribution. The film received positive reviews, with critics praising the performances of Russell, Chalamet and Rylance, Guadagino's direction, the cinematography, score, and fusion of genres.
Plot[]
Maren Yearly is a teenage girl living in Maryland under the care of her father Frank. With her having displayed cannibalistic tendencies ever since she murdered her babysitter at the age of three, Frank abandons her shortly after her 18th birthday, having become overly-distressed due to Maren's lack of remorse for her actions. He leaves behind some cash, her birth certificate, and a message on a cassette tape, in which he states that he hopes she will someday learn to overcome her urges.
Maren decides to travel to Minnesota, which is listed as the birthplace of her mother Janelle, who left her when she was an infant. Whilst waiting at a bus station, she is approached by an older man named Sully, who recognises her as a fellow "eater" because of her scent and leads her to a house owned by an elderly woman near-death. After the woman dies, Sully begins feasting on her corpse, and Maren, though reluctant, joins in. Sully expresses interest in becoming a father figure for Maren, but she leaves the house soon after.
Whilst shoplifting supplies in Indiana, Maren witnesses an intoxicated male customer harassing a woman, before a young man named Lee forces the man to leave. Maren later spots Lee outside, feeding on the man's corpse, and the two make introductions. Lee offers to help Maren find her mother, and the two head off in the victim's stolen truck. The two grow to fall in love with each other during the journey, and during a brief stay in Lee's hometown in Kentucky, Maren notices Lee's unwillingness to disclose certain aspects of his past, such as his father's absence and the reason why he avoids being spotted around town.
Maren manages to track down the home of her maternal grandmother, Barbara, who, despite having had no prior knowledge of her existence, informs her that Janelle voluntarily admitted herself into a psychiatric hospital in Fergus Falls several years prior. There, Maren finally reunites with her mother, who she is shocked to find has self-cannibalized her own hands. However, a nurse then gives Maren a letter that Janelle wrote to her in case they were to ever meet again, which concludes with Janelle's belief that Maren would be better off dead than living as a "monster". Janelle proceeds to attack her daughter before being restrained.
Disturbed and unwilling to go down the same path as her mother, Maren leaves while Lee is asleep, before being approached by Sully, who has been stalking her. She turns down his offer to become companions, causing him to curse at her in anger before departing. Once he realizes Maren is gone, a devastated Lee decides to return home.
Maren eventually makes her way back to Kentucky. She runs into Lee's younger sister Kayla, who reveals that, on the night of her and Lee's alcoholic, abusive father's disappearance, he beat both of his children before mysteriously vanishing while Kayla ran to get the police. Having been initially considered the prime suspect, Lee was cleared once it was proven that the blood found on him was his own. Maren and Lee reunite and rekindle their relationship, before deciding to flee westward. Lee reveals to Maren that he was responsible for his father's disappearance, having killed him and eating his corpse before hiding it away. He tearfully asks Maren if she thinks he is a bad person, but she declares her love for him, and they vow to abstain from cannibalism and attempt to lead a normal life together.
Sometime later, the two are shown to be living happily in Ann Arbor, Michigan. Maren returns home one day to find Sully, who murdered and cannibalised Kayla on the way, has broken into their apartment, and he threatens her at knifepoint, bemoaning her past rejections. After Lee arrives, they succeed in killing Sully, but Lee is fatally wounded in the struggle. As he bleeds out, Lee expresses his wish for Maren to eat his body as he dies. Maren frantically refuses at first, but eventually gives in.
Cast[]
- Taylor Russell as Maren Yearly
- Timothée Chalamet as Lee
- Mark Rylance as Sully
- André Holland as Frank Yearly, Maren's father
- Michael Stuhlbarg as Jake, a cannibal
- Chloë Sevigny as Janelle Kerns, Maren's mother
- David Gordon Green as Brad, a cannibal
- Jessica Harper as Barbara Kerns, Maren's grandmother
- Jake Horowitz as Lance, a carnival worker whom Lee picks up
- Kendle Coffey as Sherry
- Anna Cobb as Kayla, Lee's sister
Production[]
On April 8, 2019, it was announced that David Kajganich would adapt Camille DeAngelis's 2015 novel Bones & All for the screen, and that the film would be directed by Antonio Campos. On January 28, 2021, it was announced that Taylor Russell and Timothée Chalamet would star in the film, now to be directed by Luca Guadagnino. Chalamet is also a producer on the film. Filming began in May, by which time Mark Rylance, Michael Stuhlbarg, André Holland, Jessica Harper, Chloë Sevigny, Francesca Scorsese, and David Gordon Green had joined the cast. Shooting took place in Chillicothe, Ohio and Cincinnati, Ohio, which makes it Guadagnino's first film set and made in the United States. Production was affected by break-ins that occurred for some of the crew's cars, leading to a request being submitted to Cincinnati City Council in late June to provide $50,000 for increased security. While there was some criticism over the proposed use of taxpayer funds for a private enterprise, City Council ultimately passed a measure to grant the funds. Filming wrapped in July 2021.
Executive producers are Giovanni Corrado and Raffaella Viscardi. The film is fully financed by Italian companies: The Apartment (a Fremantle group society), 3 Marys, Memo, Tender Stories, Adler, Elafood, Elafilm, Manila, Serfis and Wise.
Guadagnino said that Bones and All is "a very romantic story, about the impossibility of love and yet, the need for it. Even in extreme circumstances." He also said that Chalamet and Russell have "a gleaming power" and are able to "portray universal feelings".
Marketing[]
The first teaser for Bones and All was released on August 10, 2022. American artist Elizabeth Peyton was commissioned by director Luca Guadagnino to create a painting based on the film. The resulting painting, which she titled "Kiss (Bones and All)", was turned into the film's first poster, which was on display during the Venice International Film Festival, hanging on the 13th-century palace Ca' da Mosto in Venice.
The official poster for the film was released on September 29, 2022, accompanied by its first trailer, which featured a rendition of Leonard Cohen's "You Want It Darker". The song was chosen by lead actor Timothée Chalamet. Safeeyah Kazi of Collider called the trailer "chilling" and "intense". Toussaint Egan of Polygon noted similarities to 1994's crime thriller Natural Born Killers. Allegra Frank of The Daily Beast called it "gorgeously bloody", and praised it for not sharing too much information. Lauren Milici of Total Film described the trailer as Let The Right One In meets Bonnie and Clyde." An extended trailer was released on October 5, 2022.
Music[]
The film's score was composed by Trent Reznor and Atticus Ross and was released on November 18, 2022, on Reznor's label The Null Corporation. In an interview with TheWrap, Reznor and Ross explained that they had extensive discussions with Guadagnino regarding the score, who stated that he wanted it to be "a melancholic elegy, an unending longing. It needs to be a character in the film, a part of the landscape" and requested the use of acoustic guitars to complement the Americana visuals. Reznor and Ross noted how the duo had to experiment with a lot of different sounds before figuring out how the score would sit in the film and explained the creation of the film's original song "(You Made It Feel) Like Home", which stemmed from their personal connections to Russell and Chalamet's characters.
Release[]
Bones and All had its world premiere at the 79th Venice International Film Festival on September 2, 2022, followed by screenings at the 60th New York Film Festival, 17th Fantastic Fest, 49th Telluride Film Festival, 2022 AFI Fest and 2022 BFI London Film Festival. It had a limited theatrical release beginning on November 18, 2022, before opening wide on November 23.
Theatrical[]
It is the first film to be acquired by United Artists Releasing and Metro-Goldwyn-Mayer Pictures following its merger deal with Amazon on March 17, 2022. Vision Distribution released the film in Italy on November 23, 2022, in collaboration with Prime Video and Sky, while Warner Bros. Pictures handled all other international territories through MGM and UAR under a new multi-year pact with the former beginning with this film.
Home media[]
The film was available on rental PVOD on December 13, 2022. It was released on Blu-ray and DVD, on January 31, 2023, by Warner Bros. Home Entertainment.
Reception[]
Box office[]
Bones and All grossed $7.8 million in the United States and Canada, and $6.7 million in other territories for a worldwide total of $14.5 million; it underperformed against a $16–20 million budget.
In its limited opening weekend, Bones and All grossed $120,000 from five theaters. The film expanded alongside Glass Onion: A Knives Out Mystery, Strange World, Devotion, and the wide expansion of The Fabelmans, and was projected to gross around $7–9 million from 2,727 theaters over its five-day opening weekend. It made $921,000 on its first day, including $345,000 from Tuesday night previews. It went on to debut to $2.7 million (including $3.5 million over the five days), finishing in eighth. In its third weekend of release, the film made $1.2 million. Its underperformance in the United States was attributed to the increasing decline of interest in prestige films by the general public in a moviegoing environment altered by the COVID-19 pandemic, despite being a film of the horror genre, which saw a surge in popularity during the summer with the releases of Nope, Barbarian and Smile.
The film debuted first at the Italian box office, grossing a total of €109.036 (USD$113,643).
Critical response[]
On the review aggregator website Rotten Tomatoes, 82% of 277 critics' reviews are positive, with an average rating of 7.4/10. The website's consensus reads: "Although its subject matter may be hard to stomach, Bones and All proves a deeply romantic and thought-provoking treat." Metacritic, which uses a weighted average, assigned the film a score of 74 out of 100, based on 54 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale, while those at PostTrak gave it an overall positive score of 71%, including an average three out of five stars.
Reviewing the film following its premiere at Venice, where it received a 10-minute standing ovation, Peter Bradshaw of The Guardian called it an "extravagant and outrageous movie: scary, nasty and startling in its warped romantic idealism" and gave the film a perfect rating of 5 stars. Stephanie Zacharek, in her review for Time, wrote "Bones and All is fastidiously romantic. It's so carefully made, and so lovely to look at, even at its grisliest", praising the direction and cast performances, particularly Russell's. Taylor Russell, Timothée Chalamet, and Mark Rylance have received acclaim for their performances with critics praising Russell and Chalamet's chemistry together. Bloody Disgusting called the duo "profound" and "touching and genuine". The Hollywood Reporter's David Rooney also praised the duo, adding their performances are "unforced and underplayed to subtly stirring effect," while calling the film "strangely affecting, even poetic" and commending the direction and cinematography.
Leila Latif in her review for IndieWire wrote, "Bones & All is fundamentally a beautifully realized and devastating, tragic romance which at multiple moments would have Chekhov himself weeping as the trigger is pulled." Richard Lawson of Vanity Fair called it an "alternately plodding and engrossing YA road movie" praising the cast performances, but ultimately found the film unsatisfactory, writing "Bones and All has its merits, but the film is only a decent side dish at the feast of Guadagnino." Writing for Sight & Sound, John Bleasdale described it as "wryly funny, gleefully entertaining and oddly touching" and praised the direction, cinematography, score, and cast performances. Comparing it to Call Me by Your Name, Selina Sondermann wrote "like two sides of the same coin – both cunningly display the love we find for ourselves when we are allowed to truly love another person, bones and all."
"There's real pleasure in Bones and All, an insistent sweetness that somehow both nourishes and cleanses away the horror" wrote Justin Chang in his review for the Los Angeles Times. Clint Worthington Flow of Consequence described the film as "an oddly sweet—presumably a little coppery, too, due to all the blood—alchemy of love and murder" and compared it to Badlands (1973) and Bonnie and Clyde (1967), with their tales of "lovers skirting human morality and forging their own sense of paradise with each other". In one unenthusiastic review, Slant's Keith Uhlich criticized the screenplay, direction, and cast performances, concluding: "Straining to be a YA spin on Trouble Every Day, Bones and All barely eclipses Twilight." Mick LaSalle, writing for the San Francisco Chronicle, provided a firmly negative review, criticizing the use of gore by saying "the problem is [cannibalism] can’t stay a metaphor" and "Guadagnino has a choice, whether to be an artist or just the maker of artistically rendered, conscientiously realized garbage."
Accolades[]
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Venice Film Festival | September 10, 2022 | Golden Lion | Luca Guadagnino | Nominated | |
| Silver Lion for Best Director | Won | ||||
| Marcello Mastroianni Award | Taylor Russell | Won | |||
| Hollywood Music in Media Awards | November 16, 2022 | Best Original Song in a Feature Film | Trent Reznor and Atticus Ross ("(You Made it Feel Like) Home") | Nominated | |
| Gotham Independent Film Awards | November 28, 2022 | Outstanding Lead Performance | Taylor Russell | Nominated | |
| Outstanding Supporting Performance | Mark Rylance | Nominated | |||
| Chicago Film Critics Association | December 14, 2022 | Best Supporting Actor | Nominated | ||
| Best Adapted Screenplay | David Kajganich | Nominated | |||
| San Diego Film Critics Society | January 6, 2023 | Best Supporting Actor | Mark Rylance | Nominated | |
| Best Adapted Screenplay | David Kajganich | Runner-up | |||
| Best Breakthrough Artist | Taylor Russell | Runner-up | |||
| Austin Film Critics Association | January 10, 2023 | Best Supporting Actor | Mark Rylance | Nominated | |
| Best Adapted Screenplay | David Kajganich | Nominated | |||
| Houston Film Critics Society | February 18, 2023 | Best Supporting Actor | Mark Rylance | Nominated | |
| Hollywood Critics Association Awards | February 24, 2023 | Best Horror Film | Bones and All | Nominated | |
| Independent Spirit Awards | March 4, 2023 | Best Feature | Timothée Chalamet, Francesco Melzi d'Eril, Luca Guadagnino, David Kajganich, Lorenzo Mieli, Marco Morabito, Gabriele Moratti, Theresa Park, Peter Spears | Nominated | |
| Best Lead Performance | Taylor Russell | Nominated | |||
| Best Supporting Performance | Mark Rylance | Nominated | |||
| Columbus Film Critics Association | January 5, 2023 | Best Score | Trent Reznor and Atticus Ross | Nominated | |
| Denver Film Critics Society | January 16, 2023 | Best Adapted Screenplay | David Kajganich | Nominated | |
| Indiana Film Journalists Association | December 19, 2022 | Best Adapted Screenplay | David Kajganich | Nominated | |
| Best Musical Score | Trent Reznor and Atticus Ross | Nominated | |||
| Best Cinematography | Arseni Khachaturan | Nominated | |||
| International Cinephile Society Awards | February 12, 2023 | Best Adapted Screenplay | David Kajganich | Nominated | |
| Kansas City Film Critics Circle Awards | January 22, 2023 | Best Adapted Screenplay | David Kajganich | Nominated | |
| Las Vegas Film Critics Society Awards | December 12, 2022 | Best Adapted Screenplay | David Kajganich | Won | |
| Best Supporting Actor | Mark Rylance | Nominated | |||
| North Carolina Film Critics Association | January 3, 2023 | Best Adapted Screenplay | David Kajganich | Nominated | |
| North Dakota Film Society | January 16, 2023 | Best Actress | Taylor Russell | Nominated | |
| Best Supporting Actor | Mark Rylance | Nominated | |||
| Best Adapted Screenplay | David Kajganich | Nominated | |||
| Best Musical Score | Trent Reznor and Atticus Ross | Nominated | |||
| Online Association of Female Film Critics | December 20, 2022 | Best Supporting Actor | Mark Rylance | Nominated | |
| Best Adapted Screenplay | David Kajganich | Nominated | |||
| Phoenix Critics Circle | December 16, 2022 | Best Horror Film | Bones and All | Nominated | |
| Best Supporting Actor | Mark Rylance | Nominated | |||
| Dublin Film Critics' Circle | December 15, 2022 | Best Director | Luca Guadagnino | Nominated | |
| Greater Western New York Film Critics Association Awards | January 1, 2023 | Best Adapted Screenplay | David Kajganich | Nominated | |
| UK Film Critics Association Awards | December 30, 2022 | Best Film | Bones and All | Nominated | |
| Best Supporting Actor | Mark Rylance | Nominated |
Gallery[]
Trivia[]
Differences from the novel[]
External Links[]
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This page uses content from the English Wikipedia page Bones and All. The revision history lists the authors. The text on Warner Bros. Entertainment Wiki and Wikipedia is licensed under the Creative Commons Attribution-ShareAlike License (CC BY-SA). |
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