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{{Infobox film|
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{{Infobox film
|imageBG =
 
 
|name = A.I. Artificial Intelligence
 
|name = A.I. Artificial Intelligence
|image = File:AI_Poster.jpg
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|image = AI_Poster.jpg
|imagesize = 256px
 
 
|caption = Theatrical release poster
 
|caption = Theatrical release poster
|hidec =
 
 
|director = Steven Spielberg
 
|director = Steven Spielberg
 
|producer = Kathleen Kennedy<br>Steven Spielberg<br>Bonnie Curtis
 
|producer = Kathleen Kennedy<br>Steven Spielberg<br>Bonnie Curtis
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|editor = Michael Kahn
 
|editor = Michael Kahn
 
|studio = [[Amblin Entertainment]]<br>[[Stanley Kubrick Productions]]
 
|studio = [[Amblin Entertainment]]<br>[[Stanley Kubrick Productions]]
|distributor = [[Warner Bros.]] (Outside North America)<br>[[DreamWorks]] (North America)
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|distributor = [[Warner Bros.]] (Outside North America)<br>[[DreamWorks]] (co-distributor; North America)
 
|release = [[June 29]], [[2001]]
 
|release = [[June 29]], [[2001]]
 
|time = 146 minutes<!--- Theatrical runtime: 145:50. Run times round UP. DO NOT CHANGE ---><ref>{{cite web |title=A.I. (12) |url= http://www.bbfc.co.uk/releases/ai-2001 |publisher= [[British Board of Film Classification]] |accessdate= April 7, 2014}}</ref>
 
|time = 146 minutes<!--- Theatrical runtime: 145:50. Run times round UP. DO NOT CHANGE ---><ref>{{cite web |title=A.I. (12) |url= http://www.bbfc.co.uk/releases/ai-2001 |publisher= [[British Board of Film Classification]] |accessdate= April 7, 2014}}</ref>
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|preceded =
 
|preceded =
 
|followed =
 
|followed =
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|website = https://web.archive.org/web/20080526223905/http://aimovie.warnerbros.com:80/
|website =
 
|imdb_id =
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|imdb_id = 0212720
|tv_com_id =
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|tv_com_id = ai-artificial-intelligence
 
}}
 
}}
 
'''''A.I. Artificial Intelligence''''', also known as '''''A.I.''''', is a 2001 American science fiction drama film directed by [[Steven Spielberg]]. The screenplay by Spielberg was based on a screen story by Ian Watson and the 1969 short story ''Super-Toys Last All Summer Long'' by [[Brian Aldiss]]. The film was produced by [[Kathleen Kennedy (producer)|Kathleen Kennedy]], Spielberg and [[Bonnie Curtis]]. It stars [[Haley Joel Osment]], [[Jude Law]], [[Frances O'Connor]], [[Brendan Gleeson]] and [[William Hurt]]. Set in a futuristic post-[[climate change]] society, ''A.I.'' tells the story of David (Osment), a childlike android uniquely programmed with the ability to love.
 
'''''A.I. Artificial Intelligence''''', also known as '''''A.I.''''', is a 2001 American science fiction drama film directed by [[Steven Spielberg]]. The screenplay by Spielberg was based on a screen story by Ian Watson and the 1969 short story ''Super-Toys Last All Summer Long'' by [[Brian Aldiss]]. The film was produced by [[Kathleen Kennedy (producer)|Kathleen Kennedy]], Spielberg and [[Bonnie Curtis]]. It stars [[Haley Joel Osment]], [[Jude Law]], [[Frances O'Connor]], [[Brendan Gleeson]] and [[William Hurt]]. Set in a futuristic post-[[climate change]] society, ''A.I.'' tells the story of David (Osment), a childlike android uniquely programmed with the ability to love.
   
 
Development of ''A.I.'' originally began with producer-director [[Stanley Kubrick]] in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, [[Bob Shaw]], Ian Watson, and [[Sara Maitland]]. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed ''A.I.'' to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay. The film was greeted with generally positive reviews from critics, grossed approximately $235 million, and was nominated for two Academy Awards at the 74th Academy Awards for Best Visual Effects and Best Original Score (by John Williams). The film is dedicated to Stanley Kubrick.
 
Development of ''A.I.'' originally began with producer-director [[Stanley Kubrick]] in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, [[Bob Shaw]], Ian Watson, and [[Sara Maitland]]. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed ''A.I.'' to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay. The film was greeted with generally positive reviews from critics, grossed approximately $235 million, and was nominated for two Academy Awards at the 74th Academy Awards for Best Visual Effects and Best Original Score (by John Williams). The film is dedicated to Stanley Kubrick.
 
 
==Plot==
 
==Plot==
 
In the late 21st century, global warming has flooded the coastlines, wiping out coastal cities (such as Amsterdam, Venice, and New York City) and drastically reducing the human population. There is a new class of robots called Mecha, advanced humanoids capable of emulating thoughts and emotions.
 
In the late 21st century, global warming has flooded the coastlines, wiping out coastal cities (such as Amsterdam, Venice, and New York City) and drastically reducing the human population. There is a new class of robots called Mecha, advanced humanoids capable of emulating thoughts and emotions.
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David is revived and walks to the frozen Blue Fairy statue, which cracks and collapses as he touches it. Having downloaded and comprehended his memories, the advanced Mecha use these to reconstruct the Swinton home and explain to David via an interactive image of the Blue Fairy ([[Meryl Streep]]) that it is impossible to make him human. However, at David's insistence, they recreate Monica from DNA in the lock of her hair, which Teddy had saved. One of the Mecha warns David that the clone can live for only a single day and that the process cannot be repeated. The next morning, David is reunited with Monica and spends the happiest day of his life with her and Teddy. Monica tells David that she loves him and has always loved him as she drifts to sleep for the last time. David lies down next to her, closes his eyes and goes "to that place where dreams are born" (in fact turns off, being exhausted and at the end of his technical lifetime). Teddy climbs onto the bed and watches as David and Monica lie peacefully together.
 
David is revived and walks to the frozen Blue Fairy statue, which cracks and collapses as he touches it. Having downloaded and comprehended his memories, the advanced Mecha use these to reconstruct the Swinton home and explain to David via an interactive image of the Blue Fairy ([[Meryl Streep]]) that it is impossible to make him human. However, at David's insistence, they recreate Monica from DNA in the lock of her hair, which Teddy had saved. One of the Mecha warns David that the clone can live for only a single day and that the process cannot be repeated. The next morning, David is reunited with Monica and spends the happiest day of his life with her and Teddy. Monica tells David that she loves him and has always loved him as she drifts to sleep for the last time. David lies down next to her, closes his eyes and goes "to that place where dreams are born" (in fact turns off, being exhausted and at the end of his technical lifetime). Teddy climbs onto the bed and watches as David and Monica lie peacefully together.
 
 
==Cast==
 
==Cast==
 
* [[Haley Joel Osment]] as David, an innovative Mecha created by Cybertronics and programmed with the ability to love. He is adopted by Henry and Monica Swinton, but a sibling rivalry ensues once their son Martin comes out of suspended animation. Osment was Spielberg's first and only choice for the role. Osment avoided blinking his eyes to perfectly portray the character, and "programmed" himself with good posture for realism.<ref name=David>Haley Joel Osment, A Portrait of David, 2001, [[Warner Home Video]]; [[DreamWorks]]</ref>
 
* [[Haley Joel Osment]] as David, an innovative Mecha created by Cybertronics and programmed with the ability to love. He is adopted by Henry and Monica Swinton, but a sibling rivalry ensues once their son Martin comes out of suspended animation. Osment was Spielberg's first and only choice for the role. Osment avoided blinking his eyes to perfectly portray the character, and "programmed" himself with good posture for realism.<ref name=David>Haley Joel Osment, A Portrait of David, 2001, [[Warner Home Video]]; [[DreamWorks]]</ref>
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* [[Meryl Streep]] as The Blue Fairy. (Cameo)
 
* [[Meryl Streep]] as The Blue Fairy. (Cameo)
 
* [[Chris Rock]] as a Mecha comedian destroyed at the Flesh Fair. (Cameo)
 
* [[Chris Rock]] as a Mecha comedian destroyed at the Flesh Fair. (Cameo)
 
 
==Production==
 
==Production==
 
===Development===
 
===Development===
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{{Quote box|width=40%|align=right|quote=Stanley [Kubrick] showed Steven [Spielberg] 650 drawings which he had, and the script and the story, everything. Stanley said, "Look, why don't you direct it and I'll produce it." Steven was almost in shock.|source=Producer Jan Harlan, on Spielberg's first meeting with Kubrick about ''A.I.''<ref name=involve>{{Cite news|author=Kenneth Plume |url=http://www.ign.com/articles/2001/06/28/interview-with-producer-jan-harlan |title=Interview with Producer Jan Harlan |work=IGN |date=June 28, 2001 |accessdate=August 5, 2008}}</ref>}}
 
{{Quote box|width=40%|align=right|quote=Stanley [Kubrick] showed Steven [Spielberg] 650 drawings which he had, and the script and the story, everything. Stanley said, "Look, why don't you direct it and I'll produce it." Steven was almost in shock.|source=Producer Jan Harlan, on Spielberg's first meeting with Kubrick about ''A.I.''<ref name=involve>{{Cite news|author=Kenneth Plume |url=http://www.ign.com/articles/2001/06/28/interview-with-producer-jan-harlan |title=Interview with Producer Jan Harlan |work=IGN |date=June 28, 2001 |accessdate=August 5, 2008}}</ref>}}
 
 
===Pre-production===
 
===Pre-production===
 
In early 1994, the film was in pre-production with [[Christopher "Fangorn" Baker]] as concept artist, and [[Sara Maitland]] assisting on the story, which gave it "a feminist fairy-tale focus".<ref name=Ian>{{cite web|url=http://www.ianwatson.info/kubrick.htm |title=Plumbing Stanley Kubrick |publisher=[[Ian Watson (author)|Ian Watson]] |accessdate=July 7, 2008 |archiveurl=https://web.archive.org/web/20080703134444/http://www.ianwatson.info/kubrick.htm |archivedate=July 3, 2008 |deadurl=yes |df=mdy }}</ref> Maitland said that Kubrick never referred to the film as ''A.I.'', but as ''Pinocchio''.<ref name=FAQ>{{cite web|url=http://www.visual-memory.co.uk/faq/index2.html#slot14 |title=The Kubrick FAQ Part 2: ''A.I.'' |work=The Kubrick Site |accessdate=August 5, 2008| archiveurl= https://web.archive.org/web/20080818015944/http://www.visual-memory.co.uk/faq/index2.html| archivedate= August 18, 2008 | deadurl= no}}</ref> [[Chris Cunningham]] became the new visual effects supervisor. Some of his unproduced work for ''A.I.'' can be seen on the DVD, ''The Work of Director Chris Cunningham''.<ref>{{cite web|url=http://www.notcoming.com/features/cunningham/ |title=The Work of Director Chris Cunningham |publisher=NotComing.com |accessdate=July 19, 2008| archiveurl= https://web.archive.org/web/20080719222500/http://www.notcoming.com/features/cunningham/| archivedate= July 19, 2008 | deadurl= no}}</ref> Aside from considering computer animation, Kubrick also had [[Joseph Mazzello]] do a screen test for the lead role.<ref name=FAQ/> Cunningham helped assemble a series of "little robot-type humans" for the David character. "We tried to construct a little boy with a movable rubber face to see whether we could make it look appealing," producer Jan Harlan reflected. "But it was a total failure, it looked awful." [[Hans Moravec]] was brought in as a technical consultant.<ref name=FAQ/>
 
In early 1994, the film was in pre-production with [[Christopher "Fangorn" Baker]] as concept artist, and [[Sara Maitland]] assisting on the story, which gave it "a feminist fairy-tale focus".<ref name=Ian>{{cite web|url=http://www.ianwatson.info/kubrick.htm |title=Plumbing Stanley Kubrick |publisher=[[Ian Watson (author)|Ian Watson]] |accessdate=July 7, 2008 |archiveurl=https://web.archive.org/web/20080703134444/http://www.ianwatson.info/kubrick.htm |archivedate=July 3, 2008 |deadurl=yes |df=mdy }}</ref> Maitland said that Kubrick never referred to the film as ''A.I.'', but as ''Pinocchio''.<ref name=FAQ>{{cite web|url=http://www.visual-memory.co.uk/faq/index2.html#slot14 |title=The Kubrick FAQ Part 2: ''A.I.'' |work=The Kubrick Site |accessdate=August 5, 2008| archiveurl= https://web.archive.org/web/20080818015944/http://www.visual-memory.co.uk/faq/index2.html| archivedate= August 18, 2008 | deadurl= no}}</ref> [[Chris Cunningham]] became the new visual effects supervisor. Some of his unproduced work for ''A.I.'' can be seen on the DVD, ''The Work of Director Chris Cunningham''.<ref>{{cite web|url=http://www.notcoming.com/features/cunningham/ |title=The Work of Director Chris Cunningham |publisher=NotComing.com |accessdate=July 19, 2008| archiveurl= https://web.archive.org/web/20080719222500/http://www.notcoming.com/features/cunningham/| archivedate= July 19, 2008 | deadurl= no}}</ref> Aside from considering computer animation, Kubrick also had [[Joseph Mazzello]] do a screen test for the lead role.<ref name=FAQ/> Cunningham helped assemble a series of "little robot-type humans" for the David character. "We tried to construct a little boy with a movable rubber face to see whether we could make it look appealing," producer Jan Harlan reflected. "But it was a total failure, it looked awful." [[Hans Moravec]] was brought in as a technical consultant.<ref name=FAQ/>
 
Meanwhile, Kubrick and Harlan thought ''A.I.'' would be closer to Steven Spielberg's sensibilities as director.<ref>{{Cite news|url=http://www.variety.com/article/VR1117799373 |title=A.I. Artificial Intelligence |work=Variety | publisher= [[Variety.com]] |date=May 15, 2001 |accessdate=July 19, 2008}}</ref><ref name=find/> Kubrick handed the position to Spielberg in 1995, but Spielberg chose to direct other projects, and convinced Kubrick to remain as director.<ref name=involve/><ref name=creai>Steven Spielberg, Jan Harlan, [[Kathleen Kennedy (producer)|Kathleen Kennedy]], [[Bonnie Curtis]], Creating ''A.I.'', 2001, Warner Home Video; DreamWorks</ref> The film was put on hold due to Kubrick's commitment to ''Eyes Wide Shut'' (1999).<ref name=Harry/> After the filmmaker's death in March 1999, Harlan and [[Christiane Kubrick]] approached Spielberg to take over the director's position.<ref>{{Cite news|author=Scott Brake |url=http://movies.ign.com/articles/300/300984p1.html |title=Producing ''A.I.'' |work=IGN |date=June 29, 2001 |accessdate=August 4, 2008}}</ref><ref>{{Cite news|author=[[Army Archerd]] |url=http://www.variety.com/article/VR1117742990 |title=''Annie'' Tv'er nab tops talent |work=Variety |date=July 15, 1999 |accessdate=July 14, 2008}}</ref> By November 1999, Spielberg was writing the screenplay based on Watson's 90-page story treatment. It was his first solo screenplay credit since ''Close Encounters of the Third Kind'' (1977).<ref>{{Cite news|author=Michael Fleming |url=http://www.variety.com/article/VR1117758075 |title=West pursues ''Prisoner''; Spielberg scribbles |work=Variety |date=November 16, 1999 |accessdate=July 16, 2008}}</ref> Spielberg remained close to Watson's treatment, but removed various sex scenes with Gigolo Joe. Pre-production was briefly halted during February 2000, because Spielberg pondered directing other projects, which were ''[[Harry Potter and the Philosopher's Stone (film)|Harry Potter and the Philosopher's Stone]]'', ''Minority Report'' and ''Memoirs of a Geisha''.<ref name=Harry>{{Cite news|author=Christian Moerk |url=http://www.variety.com/article/VR1117760260 |title=Spielberg encounters close choices to direct |work=Variety |date=December 23, 1999 |accessdate=July 15, 2008}}</ref><ref>{{Cite news|author=Peter Bart |url=http://www.variety.com/article/VR1117761198 |title=It's scary up there |work = Variety |date=January 24, 2000 |accessdate=July 15, 2008}}</ref> The following month Spielberg announced that ''A.I.'' would be his next project, with ''Minority Report'' as a follow-up.<ref>{{cite news|url=http://news.bbc.co.uk/2/hi/entertainment/678278.stm|title=Spielberg to wrap Kubrick project|publisher=BBC|date=March 15, 2000|accessdate=March 24, 2007}}</ref> When he decided to fast track ''A.I.'', Spielberg brought Chris Baker back as concept artist.<ref name=creai/>
 
Meanwhile, Kubrick and Harlan thought ''A.I.'' would be closer to Steven Spielberg's sensibilities as director.<ref>{{Cite news|url=http://www.variety.com/article/VR1117799373 |title=A.I. Artificial Intelligence |work=Variety | publisher= [[Variety.com]] |date=May 15, 2001 |accessdate=July 19, 2008}}</ref><ref name=find/> Kubrick handed the position to Spielberg in 1995, but Spielberg chose to direct other projects, and convinced Kubrick to remain as director.<ref name=involve/><ref name=creai>Steven Spielberg, Jan Harlan, [[Kathleen Kennedy (producer)|Kathleen Kennedy]], [[Bonnie Curtis]], Creating ''A.I.'', 2001, Warner Home Video; DreamWorks</ref> The film was put on hold due to Kubrick's commitment to ''Eyes Wide Shut'' (1999).<ref name=Harry/> After the filmmaker's death in March 1999, Harlan and [[Christiane Kubrick]] approached Spielberg to take over the director's position.<ref>{{Cite news|author=Scott Brake |url=http://movies.ign.com/articles/300/300984p1.html |title=Producing ''A.I.'' |work=IGN |date=June 29, 2001 |accessdate=August 4, 2008}}</ref><ref>{{Cite news|author=[[Army Archerd]] |url=http://www.variety.com/article/VR1117742990 |title=''Annie'' Tv'er nab tops talent |work=Variety |date=July 15, 1999 |accessdate=July 14, 2008}}</ref> By November 1999, Spielberg was writing the screenplay based on Watson's 90-page story treatment. It was his first solo screenplay credit since ''Close Encounters of the Third Kind'' (1977).<ref>{{Cite news|author=Michael Fleming |url=http://www.variety.com/article/VR1117758075 |title=West pursues ''Prisoner''; Spielberg scribbles |work=Variety |date=November 16, 1999 |accessdate=July 16, 2008}}</ref> Spielberg remained close to Watson's treatment, but removed various sex scenes with Gigolo Joe. Pre-production was briefly halted during February 2000, because Spielberg pondered directing other projects, which were ''[[Harry Potter and the Philosopher's Stone (film)|Harry Potter and the Philosopher's Stone]]'', ''Minority Report'' and ''Memoirs of a Geisha''.<ref name=Harry>{{Cite news|author=Christian Moerk |url=http://www.variety.com/article/VR1117760260 |title=Spielberg encounters close choices to direct |work=Variety |date=December 23, 1999 |accessdate=July 15, 2008}}</ref><ref>{{Cite news|author=Peter Bart |url=http://www.variety.com/article/VR1117761198 |title=It's scary up there |work = Variety |date=January 24, 2000 |accessdate=July 15, 2008}}</ref> The following month Spielberg announced that ''A.I.'' would be his next project, with ''Minority Report'' as a follow-up.<ref>{{cite news|url=http://news.bbc.co.uk/2/hi/entertainment/678278.stm|title=Spielberg to wrap Kubrick project|publisher=BBC|date=March 15, 2000|accessdate=March 24, 2007}}</ref> When he decided to fast track ''A.I.'', Spielberg brought Chris Baker back as concept artist.<ref name=creai/>
 
 
===Filming===
 
===Filming===
 
The original start date was July 10, 2000,<ref name=find/> but filming was delayed until August.<ref>{{Cite news|author=Brian Zoromski |url=http://movies.ign.com/articles/034/034162p1.html |title=''A.I.'' Moves Full Speed Ahead |work=IGN |date=June 30, 2000 |accessdate=August 4, 2008}}</ref> Aside from a couple of weeks shooting on location in Oxbow Regional Park in Oregon, ''A.I.'' was shot entirely using sound stages at Warner Bros. Studios and the Spruce Goose Dome in Long Beach, south LA.<ref>The Worldwide Guide to Movie Locations by Tony Reeves. The Titan Publishing Group. Pg.9 [http://www.movie-locations.com/films.html]</ref>
 
The original start date was July 10, 2000,<ref name=find/> but filming was delayed until August.<ref>{{Cite news|author=Brian Zoromski |url=http://movies.ign.com/articles/034/034162p1.html |title=''A.I.'' Moves Full Speed Ahead |work=IGN |date=June 30, 2000 |accessdate=August 4, 2008}}</ref> Aside from a couple of weeks shooting on location in Oxbow Regional Park in Oregon, ''A.I.'' was shot entirely using sound stages at Warner Bros. Studios and the Spruce Goose Dome in Long Beach, south LA.<ref>The Worldwide Guide to Movie Locations by Tony Reeves. The Titan Publishing Group. Pg.9 [http://www.movie-locations.com/films.html]</ref>
 
The Swinton house was constructed on Stage 16, while Stage 20 was used for Rouge City and other sets.<ref>{{Cite news|author=Scott Brake |url=http://movies.ign.com/articles/034/034165p1.html |title=''A.I.'' Set Reports! |work=IGN |date=August 3, 2000 |accessdate=August 4, 2008}}</ref><ref>[[Christopher "Fangorn" Baker]], [[Rick Carter]], ''A.I.'' From Drawings to Sets, 2001, Warner Home Video; DreamWorks</ref> Spielberg copied Kubrick's obsessively secretive approach to filmmaking by refusing to give the complete script to cast and crew, banning press from the set, and making actors sign confidentiality agreements. Social robotics expert [[Cynthia Breazeal]] served as technical consultant during production.<ref name=find>{{Cite news|author=Liane Bonin |url=http://www.ew.com/ew/article/0,,165660,00.html |title=Boy Wonder |work=[[Entertainment Weekly]] |date=June 28, 2001 |accessdate=July 15, 2008}}</ref><ref>{{Cite news|author=Bill Higgins |url=http://www.variety.com/article/VR1117788785 |title=BAFTA hails Spielberg |work=Variety |date=November 6, 2000 |accessdate=August 6, 2008}}</ref> Haley Joel Osment and Jude Law applied prosthetic makeup daily in an attempt to look shinier and robotic.<ref name=David/> Costume designer [[Bob Ringwood]] (''[[Batman (1989 film)|Batman]]'', ''[[Troy (film)|Troy]]'') studied pedestrians on the Las Vegas Strip for his influence on the Rouge City extras.<ref>Bob Ringwood, Dressing ''A.I.'', 2001, Warner Home Video; DreamWorks</ref> Spielberg found post-production on ''A.I.'' difficult because he was simultaneously preparing to shoot ''Minority Report''.<ref>{{Cite news|author=Charles Lyons |url=http://www.variety.com/article/VR1117792198 |title=Inside Move: Cruise staying busy |work=Variety |date=January 18, 2001 |accessdate=July 18, 2008}}</ref>
 
The Swinton house was constructed on Stage 16, while Stage 20 was used for Rouge City and other sets.<ref>{{Cite news|author=Scott Brake |url=http://movies.ign.com/articles/034/034165p1.html |title=''A.I.'' Set Reports! |work=IGN |date=August 3, 2000 |accessdate=August 4, 2008}}</ref><ref>[[Christopher "Fangorn" Baker]], [[Rick Carter]], ''A.I.'' From Drawings to Sets, 2001, Warner Home Video; DreamWorks</ref> Spielberg copied Kubrick's obsessively secretive approach to filmmaking by refusing to give the complete script to cast and crew, banning press from the set, and making actors sign confidentiality agreements. Social robotics expert [[Cynthia Breazeal]] served as technical consultant during production.<ref name=find>{{Cite news|author=Liane Bonin |url=http://www.ew.com/ew/article/0,,165660,00.html |title=Boy Wonder |work=[[Entertainment Weekly]] |date=June 28, 2001 |accessdate=July 15, 2008}}</ref><ref>{{Cite news|author=Bill Higgins |url=http://www.variety.com/article/VR1117788785 |title=BAFTA hails Spielberg |work=Variety |date=November 6, 2000 |accessdate=August 6, 2008}}</ref> Haley Joel Osment and Jude Law applied prosthetic makeup daily in an attempt to look shinier and robotic.<ref name=David/> Costume designer [[Bob Ringwood]] (''[[Batman (1989 film)|Batman]]'', ''[[Troy (film)|Troy]]'') studied pedestrians on the Las Vegas Strip for his influence on the Rouge City extras.<ref>Bob Ringwood, Dressing ''A.I.'', 2001, Warner Home Video; DreamWorks</ref> Spielberg found post-production on ''A.I.'' difficult because he was simultaneously preparing to shoot ''Minority Report''.<ref>{{Cite news|author=Charles Lyons |url=http://www.variety.com/article/VR1117792198 |title=Inside Move: Cruise staying busy |work=Variety |date=January 18, 2001 |accessdate=July 18, 2008}}</ref>
 
 
==Soundtrack==
 
==Soundtrack==
 
{{Main|A.I. Artificial Intelligence (soundtrack)}}
 
{{Main|A.I. Artificial Intelligence (soundtrack)}}
 
The film's soundtrack was released by Warner Sunset Records in 2001. The original score was composed by [[John Williams]] and featured singers [[Lara Fabian]] on two songs and [[Josh Groban]] on one. The film's score also had a limited release as an official "For your consideration Academy Promo", as well as a complete score issue by La-La Land Records in 2015. The band Ministry appears in the film playing the song "What About Us?" (but the song does not appear on the official soundtrack album).
 
The film's soundtrack was released by Warner Sunset Records in 2001. The original score was composed by [[John Williams]] and featured singers [[Lara Fabian]] on two songs and [[Josh Groban]] on one. The film's score also had a limited release as an official "For your consideration Academy Promo", as well as a complete score issue by La-La Land Records in 2015. The band Ministry appears in the film playing the song "What About Us?" (but the song does not appear on the official soundtrack album).
 
 
==Release==
 
==Release==
 
===Marketing===
 
===Marketing===
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''A.I.'' had its premiere at the Venice Film Festival in 2001.<ref>{{Cite news|author=David Rooney |url=http://www.variety.com/index.asp?layout=festivals&jump=story&id=1061&articleid=VR1117797100&cs=1 |title='Dust' in the wind for Venice fest |work=Variety |date=April 16, 2001 |accessdate=July 19, 2008 |deadurl=yes |archiveurl=https://web.archive.org/web/20081030032135/http://www.variety.com/index.asp?layout=festivals&jump=story&id=1061&articleid=VR1117797100&cs=1 |archivedate=October 30, 2008 }}</ref>
 
''A.I.'' had its premiere at the Venice Film Festival in 2001.<ref>{{Cite news|author=David Rooney |url=http://www.variety.com/index.asp?layout=festivals&jump=story&id=1061&articleid=VR1117797100&cs=1 |title='Dust' in the wind for Venice fest |work=Variety |date=April 16, 2001 |accessdate=July 19, 2008 |deadurl=yes |archiveurl=https://web.archive.org/web/20081030032135/http://www.variety.com/index.asp?layout=festivals&jump=story&id=1061&articleid=VR1117797100&cs=1 |archivedate=October 30, 2008 }}</ref>
 
 
===Box office===
 
===Box office===
 
The film opened in 3,242 theaters in the United States on June 29, 2001, earning $29,352,630 during its opening weekend. ''A.I'' went on to gross $78.62 million in US totals as well as $157.31 million in foreign countries, coming to a worldwide total of $235.93 million.<ref>{{cite web|url=http://www.boxofficemojo.com/movies/?id=ai.htm |title=A.I. Artificial Intelligence |publisher=[[Box Office Mojo]] |accessdate=July 8, 2008}}</ref>
 
The film opened in 3,242 theaters in the United States on June 29, 2001, earning $29,352,630 during its opening weekend. ''A.I'' went on to gross $78.62 million in US totals as well as $157.31 million in foreign countries, coming to a worldwide total of $235.93 million.<ref>{{cite web|url=http://www.boxofficemojo.com/movies/?id=ai.htm |title=A.I. Artificial Intelligence |publisher=[[Box Office Mojo]] |accessdate=July 8, 2008}}</ref>
 
 
===Critical response===
 
===Critical response===
 
The film received generally positive reviews. Based on 190 reviews collected by Rotten Tomatoes, 73% of the critics gave the film positive notices with a score of 6.6 out of 10. The website described the critical consensus perceiving the film as "a curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism. [The film] is, in a word, fascinating."<ref>{{cite web |url=http://www.rottentomatoes.com/m/ai_artificial_intelligence/ |title=A.I. Artificial Intelligence |publisher=[[Rotten Tomatoes]] |accessdate=July 8, 2008 |archiveurl= https://web.archive.org/web/20080708094802/http://www.rottentomatoes.com/m/ai_artificial_intelligence/ |archivedate=July 8, 2008 | deadurl= no}}</ref> By comparison, [[Metacritic]] collected an average score of 65, based on 32 reviews, which is considered favorable.<ref>{{cite web|url=http://www.metacritic.com/video/titles/ai?q=A.I. |title=A.I. Artificial Intelligence (2001): Reviews |publisher=[[Metacritic]] |accessdate=July 8, 2008}}</ref>
 
The film received generally positive reviews. Based on 190 reviews collected by Rotten Tomatoes, 73% of the critics gave the film positive notices with a score of 6.6 out of 10. The website described the critical consensus perceiving the film as "a curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism. [The film] is, in a word, fascinating."<ref>{{cite web |url=http://www.rottentomatoes.com/m/ai_artificial_intelligence/ |title=A.I. Artificial Intelligence |publisher=[[Rotten Tomatoes]] |accessdate=July 8, 2008 |archiveurl= https://web.archive.org/web/20080708094802/http://www.rottentomatoes.com/m/ai_artificial_intelligence/ |archivedate=July 8, 2008 | deadurl= no}}</ref> By comparison, [[Metacritic]] collected an average score of 65, based on 32 reviews, which is considered favorable.<ref>{{cite web|url=http://www.metacritic.com/video/titles/ai?q=A.I. |title=A.I. Artificial Intelligence (2001): Reviews |publisher=[[Metacritic]] |accessdate=July 8, 2008}}</ref>
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Producer Jan Harlan stated that Kubrick "would have applauded" the final film, while Kubrick's widow Christiane also enjoyed ''A.I''.<ref>{{Cite news|author=[[Army Archerd]] |url=http://www.variety.com/article/VR1117801772 |title=''A.I.'' A Spielberg/Kubrick prod'n |work=Variety |date=June 20, 2000 |accessdate=August 6, 2008}}</ref> Brian Aldiss admired the film as well: "I thought what an inventive, intriguing, ingenious, involving film this was. There are flaws in it and I suppose I might have a personal quibble but it's so long since I wrote it." Of the film's ending, he wondered how it might have been had Kubrick directed the film: "That is one of the 'ifs' of film history - at least the ending indicates Spielberg adding some sugar to Kubrick's wine. The actual ending is overly sympathetic and moreover rather overtly engineered by a plot device that does not really bear credence. But it's a brilliant piece of film and of course it's a phenomenon because it contains the energies and talents of two brilliant filmmakers."<ref>{{cite web|url=http://news.bbc.co.uk/2/hi/in_depth/sci_tech/2001/artificial_intelligence/1542794.stm |title=ARTIFICIAL INTELLIGENCE &#124; The mind behind AI |publisher=BBC News |date=September 20, 2001 |accessdate=November 2, 2013}}</ref> [[Richard Corliss]] heavily praised Spielberg's direction, as well as the cast and visual effects.<ref>{{Cite news|author=[[Richard Corliss]] |url=http://www.time.com/time/sampler/article/0,8599,130942,00.html |title=''A.I.''&nbsp;– Spielberg's Strange Love |work=[[Time (magazine)|Time]] |date=June 17, 2001 |accessdate=August 6, 2008| archiveurl= https://web.archive.org/web/20080626072644/http://www.time.com/time/sampler/article/0,8599,130942,00.html| archivedate= June 26, 2008 | deadurl= no}}{{dead link|date=January 2012}}</ref> [[Roger Ebert]] awarded the film 4 out of 4 stars, saying that it was "Audacious, technically masterful, challenging, sometimes moving [and] ceaselessly watchable.<ref>http://www.rogerebert.com/reviews/great-movie-ai-artificial-intelligence-2001</ref>[[Leonard Maltin]] gives the film a not-so-positive review in his ''Movie Guide'', giving it two stars out of four, writing: "[The] intriguing story draws us in, thanks in part to Osment's exceptional performance, but takes several wrong turns; ultimately, it just doesn't work. Spielberg rewrote the adaptation Stanley Kubrick commissioned of the Brian Aldiss short story 'Super Toys Last All Summer Long'; [the] result is a curious and uncomfortable hybrid of Kubrick and Spielberg sensibilities." However, he calls John Williams' music score "striking". [[Jonathan Rosenbaum]] compared ''A.I.'' to ''Solaris'' (1972), and praised both "Kubrick for proposing that Spielberg direct the project and Spielberg for doing his utmost to respect Kubrick's intentions while making it a profoundly personal work."<ref>{{Cite news|author=[[Jonathan Rosenbaum]] |url=http://www.chicagoreader.com/movies/archives/2001/0107/010713.html |title=The Best of Both Worlds |work=[[Chicago Reader]] |date=June 29, 2001 |accessdate=August 6, 2008}}</ref> Film critic [[Armond White]], of the ''[[New York Press]]'', praised the film noting that "each part of David’s journey through carnal and sexual universes into the final eschatological devastation becomes as profoundly philosophical and contemplative as anything by cinema’s most thoughtful, speculative artists&nbsp;– [[Frank Borzage|Borzage]], [[Yasujirō Ozu|Ozu]], [[Jacques Demy|Demy]], [[Andrei Tarkovsky|Tarkovsky]]."<ref>{{cite web|author=Armond White|date=July 4, 2001|url=http://www.nypress.com/spielbergs-ai-dares-viewers-to-remember-and-accept-the-part-of-themselves-that-is-capable-of-feeling/|title=Spielberg's A.I. Dares Viewers to Remember and Accept the Part of Themselves that Is Capable of Feeling|work=[[The New York Press]]|accessdate=April 26, 2010}}</ref> Filmmaker Billy Wilder hailed ''A.I.'' as "the most underrated film of the past few years."<ref>{{cite web | url=http://edition.cnn.com/2006/SHOWBIZ/Movies/11/17/spielberg.award/index.html | title=Close encounters of the hugely profitable kind | publisher=CNN | date=November 17, 2006 | accessdate=October 2, 2015 | author=Paul Sussman}}</ref> When British filmmaker [[Ken Russell]] saw the film, he wept during the ending.<ref>{{cite web | author=Alex Russell | url=http://slippedisc.com/2011/12/eyewitness-ken-russell-by-his-son/ | title=Eyewitness: Ken Russell by his son | work=Slipped Disc (blog) | date=December 7, 2011 | accessdate=January 23, 2015}}</ref>
 
Producer Jan Harlan stated that Kubrick "would have applauded" the final film, while Kubrick's widow Christiane also enjoyed ''A.I''.<ref>{{Cite news|author=[[Army Archerd]] |url=http://www.variety.com/article/VR1117801772 |title=''A.I.'' A Spielberg/Kubrick prod'n |work=Variety |date=June 20, 2000 |accessdate=August 6, 2008}}</ref> Brian Aldiss admired the film as well: "I thought what an inventive, intriguing, ingenious, involving film this was. There are flaws in it and I suppose I might have a personal quibble but it's so long since I wrote it." Of the film's ending, he wondered how it might have been had Kubrick directed the film: "That is one of the 'ifs' of film history - at least the ending indicates Spielberg adding some sugar to Kubrick's wine. The actual ending is overly sympathetic and moreover rather overtly engineered by a plot device that does not really bear credence. But it's a brilliant piece of film and of course it's a phenomenon because it contains the energies and talents of two brilliant filmmakers."<ref>{{cite web|url=http://news.bbc.co.uk/2/hi/in_depth/sci_tech/2001/artificial_intelligence/1542794.stm |title=ARTIFICIAL INTELLIGENCE &#124; The mind behind AI |publisher=BBC News |date=September 20, 2001 |accessdate=November 2, 2013}}</ref> [[Richard Corliss]] heavily praised Spielberg's direction, as well as the cast and visual effects.<ref>{{Cite news|author=[[Richard Corliss]] |url=http://www.time.com/time/sampler/article/0,8599,130942,00.html |title=''A.I.''&nbsp;– Spielberg's Strange Love |work=[[Time (magazine)|Time]] |date=June 17, 2001 |accessdate=August 6, 2008| archiveurl= https://web.archive.org/web/20080626072644/http://www.time.com/time/sampler/article/0,8599,130942,00.html| archivedate= June 26, 2008 | deadurl= no}}{{dead link|date=January 2012}}</ref> [[Roger Ebert]] awarded the film 4 out of 4 stars, saying that it was "Audacious, technically masterful, challenging, sometimes moving [and] ceaselessly watchable.<ref>http://www.rogerebert.com/reviews/great-movie-ai-artificial-intelligence-2001</ref>[[Leonard Maltin]] gives the film a not-so-positive review in his ''Movie Guide'', giving it two stars out of four, writing: "[The] intriguing story draws us in, thanks in part to Osment's exceptional performance, but takes several wrong turns; ultimately, it just doesn't work. Spielberg rewrote the adaptation Stanley Kubrick commissioned of the Brian Aldiss short story 'Super Toys Last All Summer Long'; [the] result is a curious and uncomfortable hybrid of Kubrick and Spielberg sensibilities." However, he calls John Williams' music score "striking". [[Jonathan Rosenbaum]] compared ''A.I.'' to ''Solaris'' (1972), and praised both "Kubrick for proposing that Spielberg direct the project and Spielberg for doing his utmost to respect Kubrick's intentions while making it a profoundly personal work."<ref>{{Cite news|author=[[Jonathan Rosenbaum]] |url=http://www.chicagoreader.com/movies/archives/2001/0107/010713.html |title=The Best of Both Worlds |work=[[Chicago Reader]] |date=June 29, 2001 |accessdate=August 6, 2008}}</ref> Film critic [[Armond White]], of the ''[[New York Press]]'', praised the film noting that "each part of David’s journey through carnal and sexual universes into the final eschatological devastation becomes as profoundly philosophical and contemplative as anything by cinema’s most thoughtful, speculative artists&nbsp;– [[Frank Borzage|Borzage]], [[Yasujirō Ozu|Ozu]], [[Jacques Demy|Demy]], [[Andrei Tarkovsky|Tarkovsky]]."<ref>{{cite web|author=Armond White|date=July 4, 2001|url=http://www.nypress.com/spielbergs-ai-dares-viewers-to-remember-and-accept-the-part-of-themselves-that-is-capable-of-feeling/|title=Spielberg's A.I. Dares Viewers to Remember and Accept the Part of Themselves that Is Capable of Feeling|work=[[The New York Press]]|accessdate=April 26, 2010}}</ref> Filmmaker Billy Wilder hailed ''A.I.'' as "the most underrated film of the past few years."<ref>{{cite web | url=http://edition.cnn.com/2006/SHOWBIZ/Movies/11/17/spielberg.award/index.html | title=Close encounters of the hugely profitable kind | publisher=CNN | date=November 17, 2006 | accessdate=October 2, 2015 | author=Paul Sussman}}</ref> When British filmmaker [[Ken Russell]] saw the film, he wept during the ending.<ref>{{cite web | author=Alex Russell | url=http://slippedisc.com/2011/12/eyewitness-ken-russell-by-his-son/ | title=Eyewitness: Ken Russell by his son | work=Slipped Disc (blog) | date=December 7, 2011 | accessdate=January 23, 2015}}</ref>
   
Mick LaSalle gave a largely negative review. "''A.I.'' exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg." Dubbing it Spielberg's "first boring movie", LaSalle also believed the robots at the end of the film were aliens, and compared Gigolo Joe to the "useless" Jar Jar Binks, yet praised Robin Williams for his portrayal of a futuristic Albert Einstein.<ref>{{Cite news|author=[[Mick LaSalle]] |url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2001/06/29/DD239232.DTL |title=Artificial foolishness |work=[[San Francisco Chronicle]] |date=June 29, 2001 |accessdate=August 6, 2008}}</ref>{{failed verification|date=August 2013}} [[Peter Travers]] gave a mixed review, concluding "Spielberg cannot live up to Kubrick's darker side of the future." But he still put the film on his top ten list that year for best movies.<ref>{{Cite news|author=[[Peter Travers]] |url=http://www.rollingstone.com/reviews/movie/5949345/review/5949346/ai_artificial_intelligence |title=A.I. Artificial Intelligence |work=[[Rolling Stone (magazine)|Rolling Stone]] |date=June 21, 2001 |accessdate=August 6, 2008}}</ref> David Denby in ''The New Yorker'' criticized ''A.I.'' for not adhering closely to his concept of the Pinocchio character. Spielberg responded to some of the criticisms of the film, stating that many of the "so called sentimental" elements of ''A.I.'', including the ending, were in fact Kubrick's and the darker elements were his own.<ref>{{cite episode |title=Steven Spielberg |series=The Culture Show |serieslink=The Culture Show |credits=[[Mark Kermode]] |station=[[BBC Two]] |airdate=2006-11-04 |season= |number=}}</ref> However, Sara Maitland, who worked on the project with Kubrick in the 1990s, claimed that one of the reasons Kubrick never started production on ''A.I.'' was because he had a hard time making the ending work.<ref>{{cite web |url=http://www.visual-memory.co.uk/faq/index2.html#slot14 |title=The Kubrick FAQ Part 2 |publisher=Visual-memory.co.uk |date= |accessdate=April 7, 2012}}</ref> [[James Berardinelli]] found the film "consistently involving, with moments of near-brilliance, but far from a masterpiece. In fact, as the long-awaited 'collaboration' of Kubrick and Spielberg, it ranks as something of a disappointment." Of the film's highly debated finale, he claimed, "There is no doubt that the concluding 30 minutes are all Spielberg; the outstanding question is where Kubrick's vision left off and Spielberg's began."<ref>{{cite web|url=http://www.reelviews.net/movies/a/ai.html |title=Review: A.I |publisher=Reelviews.net |date= |accessdate=November 2, 2013}}</ref>
+
Mick LaSalle gave a largely negative review. "''A.I.'' exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg." Dubbing it Spielberg's "first boring movie", LaSalle also believed the robots at the end of the film were aliens, and compared Gigolo Joe to the "useless" Jar Jar Binks, yet praised Robin Williams for his portrayal of a futuristic Albert Einstein.<ref>{{Cite news|author=[[Mick LaSalle]] |url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2001/06/29/DD239232.DTL |title=Artificial foolishness |work=[[San Francisco Chronicle]] |date=June 29, 2001 |accessdate=August 6, 2008}}</ref> [[Peter Travers]] gave a mixed review, concluding "Spielberg cannot live up to Kubrick's darker side of the future." But he still put the film on his top ten list that year for best movies.<ref>{{Cite news|author=[[Peter Travers]] |url=http://www.rollingstone.com/reviews/movie/5949345/review/5949346/ai_artificial_intelligence |title=A.I. Artificial Intelligence |work=[[Rolling Stone (magazine)|Rolling Stone]] |date=June 21, 2001 |accessdate=August 6, 2008}}</ref> David Denby in ''The New Yorker'' criticized ''A.I.'' for not adhering closely to his concept of the Pinocchio character. Spielberg responded to some of the criticisms of the film, stating that many of the "so called sentimental" elements of ''A.I.'', including the ending, were in fact Kubrick's and the darker elements were his own.<ref>{{cite episode |title=Steven Spielberg |series=The Culture Show |serieslink=The Culture Show |credits=[[Mark Kermode]] |station=[[BBC Two]] |airdate=2006-11-04 |season= |number=}}</ref> However, Sara Maitland, who worked on the project with Kubrick in the 1990s, claimed that one of the reasons Kubrick never started production on ''A.I.'' was because he had a hard time making the ending work.<ref>{{cite web |url=http://www.visual-memory.co.uk/faq/index2.html#slot14 |title=The Kubrick FAQ Part 2 |publisher=Visual-memory.co.uk |date= |accessdate=April 7, 2012}}</ref> [[James Berardinelli]] found the film "consistently involving, with moments of near-brilliance, but far from a masterpiece. In fact, as the long-awaited 'collaboration' of Kubrick and Spielberg, it ranks as something of a disappointment." Of the film's highly debated finale, he claimed, "There is no doubt that the concluding 30 minutes are all Spielberg; the outstanding question is where Kubrick's vision left off and Spielberg's began."<ref>{{cite web|url=http://www.reelviews.net/movies/a/ai.html |title=Review: A.I |publisher=Reelviews.net |date= |accessdate=November 2, 2013}}</ref>
   
 
Screenwriter [[Ian Watson (author)|Ian Watson]] has speculated, "Worldwide, ''A.I.'' was very successful (and the 4th highest earner of the year) but it didn't do quite so well in America, because the film, so I'm told, was too poetical and intellectual in general for American tastes. Plus, quite a few critics in America misunderstood the film, thinking for instance that the Giacometti-style beings in the final 20 minutes were aliens (whereas they were robots of the future who had evolved themselves from the robots in the earlier part of the film) and also thinking that the final 20 minutes were a sentimental addition by Spielberg, whereas those scenes were exactly what I wrote for Stanley and exactly what he wanted, filmed faithfully by Spielberg."<ref>{{cite web |url=http://www.moonmilkreview.com/2010/author-talk-ian-watson-2/ |title=Author Talk: Ian Watson |publisher=Moon Milk Review |date=May 10, 2010 |accessdate=April 7, 2012}}</ref>
 
Screenwriter [[Ian Watson (author)|Ian Watson]] has speculated, "Worldwide, ''A.I.'' was very successful (and the 4th highest earner of the year) but it didn't do quite so well in America, because the film, so I'm told, was too poetical and intellectual in general for American tastes. Plus, quite a few critics in America misunderstood the film, thinking for instance that the Giacometti-style beings in the final 20 minutes were aliens (whereas they were robots of the future who had evolved themselves from the robots in the earlier part of the film) and also thinking that the final 20 minutes were a sentimental addition by Spielberg, whereas those scenes were exactly what I wrote for Stanley and exactly what he wanted, filmed faithfully by Spielberg."<ref>{{cite web |url=http://www.moonmilkreview.com/2010/author-talk-ian-watson-2/ |title=Author Talk: Ian Watson |publisher=Moon Milk Review |date=May 10, 2010 |accessdate=April 7, 2012}}</ref>
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Upon rewatching the film many years after its release, BBC film critic Mark Kermode apologized to Spielberg in an interview in January 2013 for "getting it wrong" on the film when he first viewed it in 2001. He now believes the film to be Spielberg's "enduring masterpiece".<ref>{{cite web|author=Mark Kermode |url=http://www.bbc.co.uk/blogs/markkermode/posts/AI-Apology |title=Blogs - Kermode Uncut - AI Apology |publisher=BBC |date=January 22, 2013 |accessdate=November 2, 2013}}</ref>
 
Upon rewatching the film many years after its release, BBC film critic Mark Kermode apologized to Spielberg in an interview in January 2013 for "getting it wrong" on the film when he first viewed it in 2001. He now believes the film to be Spielberg's "enduring masterpiece".<ref>{{cite web|author=Mark Kermode |url=http://www.bbc.co.uk/blogs/markkermode/posts/AI-Apology |title=Blogs - Kermode Uncut - AI Apology |publisher=BBC |date=January 22, 2013 |accessdate=November 2, 2013}}</ref>
 
 
===Accolades===
 
===Accolades===
 
Visual effects supervisors [[Dennis Muren]], [[Stan Winston]], [[Michael Lantieri]] and [[Scott Farrar]] were nominated for the Academy Award for Best Visual Effects, while [[John Williams (composer)|John Williams]] was nominated for Best Original Music Score.<ref>{{cite web|url= http://www.imdb.com/Sections/Awards/Academy_Awards_USA/2002 |title=Academy Awards: 2002 |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref> Steven Spielberg, Jude Law and Williams received nominations at the 59th Golden Globe Awards.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/Golden_Globes_USA/2002 |title=59th Golden Globe Awards |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref> The visual effects department was once again nominated at the 55th British Academy Film Awards.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/BAFTA_Awards/2002 |title=55th British Academy Film Awards |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008| archiveurl= https://web.archive.org/web/20080723150645/http://imdb.com/Sections/Awards/BAFTA_Awards/2002| archivedate= July 23, 2008 | deadurl= no}}</ref> ''A.I.'' was successful at the Saturn Awards. Spielberg (for his screenplay), the visual effects department, Williams and Haley Joel Osment (Performance by a Younger Actor) won in their respective categories. The film also won Best Science Fiction Film and for its DVD release. Frances O'Connor and Spielberg (as director) were also nominated.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/Academy_of_Science_Fiction_Fantasy_And_Horror_Films_USA/200 |title=Saturn Awards: 2002 |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref>
 
Visual effects supervisors [[Dennis Muren]], [[Stan Winston]], [[Michael Lantieri]] and [[Scott Farrar]] were nominated for the Academy Award for Best Visual Effects, while [[John Williams (composer)|John Williams]] was nominated for Best Original Music Score.<ref>{{cite web|url= http://www.imdb.com/Sections/Awards/Academy_Awards_USA/2002 |title=Academy Awards: 2002 |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref> Steven Spielberg, Jude Law and Williams received nominations at the 59th Golden Globe Awards.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/Golden_Globes_USA/2002 |title=59th Golden Globe Awards |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref> The visual effects department was once again nominated at the 55th British Academy Film Awards.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/BAFTA_Awards/2002 |title=55th British Academy Film Awards |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008| archiveurl= https://web.archive.org/web/20080723150645/http://imdb.com/Sections/Awards/BAFTA_Awards/2002| archivedate= July 23, 2008 | deadurl= no}}</ref> ''A.I.'' was successful at the Saturn Awards. Spielberg (for his screenplay), the visual effects department, Williams and Haley Joel Osment (Performance by a Younger Actor) won in their respective categories. The film also won Best Science Fiction Film and for its DVD release. Frances O'Connor and Spielberg (as director) were also nominated.<ref>{{cite web|url=http://www.imdb.com/Sections/Awards/Academy_of_Science_Fiction_Fantasy_And_Horror_Films_USA/200 |title=Saturn Awards: 2002 |publisher=[[Internet Movie Database]] |accessdate=July 14, 2008}}</ref>
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{{A.I. Artificial Intelligence}}
 
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Revision as of 05:40, 27 January 2019


A.I. Artificial Intelligence, also known as A.I., is a 2001 American science fiction drama film directed by Steven Spielberg. The screenplay by Spielberg was based on a screen story by Ian Watson and the 1969 short story Super-Toys Last All Summer Long by Brian Aldiss. The film was produced by Kathleen Kennedy, Spielberg and Bonnie Curtis. It stars Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson and William Hurt. Set in a futuristic post-climate change society, A.I. tells the story of David (Osment), a childlike android uniquely programmed with the ability to love.

Development of A.I. originally began with producer-director Stanley Kubrick in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay. The film was greeted with generally positive reviews from critics, grossed approximately $235 million, and was nominated for two Academy Awards at the 74th Academy Awards for Best Visual Effects and Best Original Score (by John Williams). The film is dedicated to Stanley Kubrick.

Plot

In the late 21st century, global warming has flooded the coastlines, wiping out coastal cities (such as Amsterdam, Venice, and New York City) and drastically reducing the human population. There is a new class of robots called Mecha, advanced humanoids capable of emulating thoughts and emotions.

David (Haley Joel Osment), a prototype model created by Cybertronics of New Jersey, is designed to resemble a human child and to display love for its human owners. They test their creation with one of their employees, Henry Swinton (Sam Robards), and his wife Monica (Frances O'Connor). The Swintons' son, Martin (Jake Thomas), had been placed in suspended animation until a cure could be found for his rare disease. Initially frightened of David, Monica eventually warms up enough to him to activate his imprinting protocol, which irreversibly causes David to have an enduring childlike love for her. He is also befriended by Teddy (Jack Angel), a robotic teddy bear, who takes it upon himself to care for David's well-being.

A cure is found for Martin and he is brought home; as he recovers, it becomes clear he does not want a sibling and soon makes moves to cause issues for David. First, he attempts to make Teddy choose whom he likes more. He then makes David promise to do something and in return Martin will tell Monica that he loves his new "brother", making her love him more. The promise David makes is to go to Monica in the middle of the night and cut off a lock of her hair. This upsets the parents, particularly Henry, who fears that the scissors are a weapon, and warns Monica that a robot programmed to love may also be able to hate.

At a pool party, one of Martin's friends unintentionally activates David's self-protection programming by poking him with a knife. David grabs Martin, apparently for protection, but they both fall into the pool. David sinks to the bottom while still clinging to Martin. Martin is saved from drowning, but Henry mistakes David's fear during the pool incident as hate for Martin.

Henry persuades Monica to return David to Cybertronics, where he will be destroyed. However, Monica cannot bring herself to do this and, instead, tearfully abandons David in the forest (with Teddy) to hide as an unregistered Mecha.

David is captured for an anti-Mecha "Flesh Fair", an event where obsolete and unlicensed Mecha are destroyed in front of cheering crowds. David is nearly killed, but the crowd is swayed by his fear (since Mecha do not plea for their lives) into believing he is human and he escapes with Gigolo Joe (Jude Law), a male prostitute Mecha on the run after being framed for the murder of a client by the client's husband.

The two set out to find the Blue Fairy, who David remembers from the story The Adventures of Pinocchio. He is convinced that the Blue Fairy will transform him into a human boy, allowing Monica to love him and take him home.

Joe and David make their way to Rouge City, a Las Vegas-esque resort. Information from a holographic answer engine called "Dr. Know" (Robin Williams) eventually leads them to the top of Rockefeller Center in the flooded ruins of Manhattan. There, David meets an identical copy of himself and, believing he is not special, becomes filled with anger and destroys the copy Mecha. David then meets his human creator, Professor Allen Hobby (William Hurt), who excitedly tells David that finding him was a test, which has demonstrated the reality of his love and desire. However, David learns that he is the namesake and image of Professor Hobby's deceased son and that many copies of David, along with female versions called Darlene, are already being manufactured.

Sadly realizing that he is not unique, a disheartened David attempts to commit suicide by falling from a ledge into the ocean, but Joe rescues him with their stolen amphibicopter. David tells Joe he saw the Blue Fairy underwater and wants to go down to her. At that moment, Joe is captured by the authorities with the use of an electromagnet, but he sets the amphibicopter on submerge. David and Teddy take it to the fairy, which turns out to be a statue from a submerged attraction at Coney Island. Teddy and David become trapped when the Wonder Wheel falls on their vehicle. Believing the Blue Fairy to be real, David asks to be turned into a real boy, repeating his wish without an end, until the ocean freezes in another ice age and his internal power source drains away.

Two thousand years later, humans are extinct and Manhattan is buried under several hundred feet of glacial ice. The now highly advanced Mecha have evolved into an intelligent, silicon-based form. On their project to study humans—believing it was the key to understanding the meaning of existence—they find David and Teddy and discover they are original Mecha who knew living humans, making the pair very special and unique.

David is revived and walks to the frozen Blue Fairy statue, which cracks and collapses as he touches it. Having downloaded and comprehended his memories, the advanced Mecha use these to reconstruct the Swinton home and explain to David via an interactive image of the Blue Fairy (Meryl Streep) that it is impossible to make him human. However, at David's insistence, they recreate Monica from DNA in the lock of her hair, which Teddy had saved. One of the Mecha warns David that the clone can live for only a single day and that the process cannot be repeated. The next morning, David is reunited with Monica and spends the happiest day of his life with her and Teddy. Monica tells David that she loves him and has always loved him as she drifts to sleep for the last time. David lies down next to her, closes his eyes and goes "to that place where dreams are born" (in fact turns off, being exhausted and at the end of his technical lifetime). Teddy climbs onto the bed and watches as David and Monica lie peacefully together.

Cast

  • Haley Joel Osment as David, an innovative Mecha created by Cybertronics and programmed with the ability to love. He is adopted by Henry and Monica Swinton, but a sibling rivalry ensues once their son Martin comes out of suspended animation. Osment was Spielberg's first and only choice for the role. Osment avoided blinking his eyes to perfectly portray the character, and "programmed" himself with good posture for realism.[3]
  • Jude Law as Gigolo Joe, a male prostitute Mecha programmed with the ability to mimic love, like David, but in a different sense. To prepare for the role, Law studied the acting of Fred Astaire and Gene Kelly.[4]
  • Frances O'Connor as Monica Swinton, David's adopted mother who reads him The Adventures of Pinocchio. She is first displeased to have David in her home but soon starts loving him.
  • Sam Robards as Henry Swinton, an employee at Cybertronics, husband of Monica and David's adopted father. Henry eventually sees David as dangerous to his family.
  • Jake Thomas as Martin Swinton, Henry and Monica's first son, who was placed in suspended animation and David's adopted brother. When Martin comes back, he convinces David to cut off a lock of Monica's hair.
  • William Hurt as Professor Allen Hobby, responsible for shepherding the creation of David. He resides in New York City, which is crippled by the effects of global warming but still functioning as Cybertronics' headquarters. David is modeled after Hobby's own son, also named David, who died at a young age.
  • Brendan Gleeson as Lord Johnson-Johnson, the owner and master of ceremonies of the Flesh Fair.
  • Ashley Scott as Gigolo Jane
Voices
  • Jack Angel as Teddy, David's android teddy bear.
  • Ben Kingsley as a Mecha specialist. He is also uncredited as the narrator.
  • Robin Williams as Dr. Know, a holographic answer engine. (Cameo)
  • Meryl Streep as The Blue Fairy. (Cameo)
  • Chris Rock as a Mecha comedian destroyed at the Flesh Fair. (Cameo)

Production

Development

Kubrick began development on an adaptation of Super-Toys Last All Summer Long in the late 1970s, hiring the short story's author, Brian Aldiss, to write a film treatment. In 1985, Kubrick brought longtime friend Steven Spielberg on board to produce the film,[5] along with Jan Harlan. Warner Bros. agreed to co-finance A.I. and cover distribution duties.[6] The film labored in development hell, and Aldiss was fired by Kubrick over creative differences in 1989.[7] Bob Shaw served as writer very briefly, leaving after six weeks because of Kubrick's demanding work schedule, and Ian Watson was hired as the new writer in March 1990. Aldiss later remarked, "Not only did the bastard fire me, he hired my enemy [Watson] instead." Kubrick handed Watson The Adventures of Pinocchio for inspiration, calling A.I. "a picaresque robot version of Pinocchio".[6][8]

Three weeks later Watson gave Kubrick his first story treatment, and concluded his work on A.I. in May 1991 with another treatment, at 90 pages. Gigolo Joe was originally conceived as a GI Mecha, but Watson suggested changing him to a male prostitute. Kubrick joked, "I guess we lost the kiddie market."[6] In the meantime, Kubrick dropped A.I. to work on a film adaptation of Wartime Lies, feeling computer animation was not advanced enough to create the David character. However, after the release of Spielberg's Jurassic Park (with its innovative use of computer-generated imagery), it was announced in November 1993 that production would begin in 1994.[9] Dennis Muren and Ned Gorman, who worked on Jurassic Park, became visual effects supervisors,[7] but Kubrick was displeased with their previsualization, and with the expense of hiring Industrial Light & Magic.[10]


Stanley [Kubrick] showed Steven [Spielberg] 650 drawings which he had, and the script and the story, everything. Stanley said, "Look, why don't you direct it and I'll produce it." Steven was almost in shock.
—Producer Jan Harlan, on Spielberg's first meeting with Kubrick about A.I.[11]


Pre-production

In early 1994, the film was in pre-production with Christopher "Fangorn" Baker as concept artist, and Sara Maitland assisting on the story, which gave it "a feminist fairy-tale focus".[6] Maitland said that Kubrick never referred to the film as A.I., but as Pinocchio.[10] Chris Cunningham became the new visual effects supervisor. Some of his unproduced work for A.I. can be seen on the DVD, The Work of Director Chris Cunningham.[12] Aside from considering computer animation, Kubrick also had Joseph Mazzello do a screen test for the lead role.[10] Cunningham helped assemble a series of "little robot-type humans" for the David character. "We tried to construct a little boy with a movable rubber face to see whether we could make it look appealing," producer Jan Harlan reflected. "But it was a total failure, it looked awful." Hans Moravec was brought in as a technical consultant.[10] Meanwhile, Kubrick and Harlan thought A.I. would be closer to Steven Spielberg's sensibilities as director.[13][14] Kubrick handed the position to Spielberg in 1995, but Spielberg chose to direct other projects, and convinced Kubrick to remain as director.[11][15] The film was put on hold due to Kubrick's commitment to Eyes Wide Shut (1999).[16] After the filmmaker's death in March 1999, Harlan and Christiane Kubrick approached Spielberg to take over the director's position.[17][18] By November 1999, Spielberg was writing the screenplay based on Watson's 90-page story treatment. It was his first solo screenplay credit since Close Encounters of the Third Kind (1977).[19] Spielberg remained close to Watson's treatment, but removed various sex scenes with Gigolo Joe. Pre-production was briefly halted during February 2000, because Spielberg pondered directing other projects, which were Harry Potter and the Philosopher's Stone, Minority Report and Memoirs of a Geisha.[16][20] The following month Spielberg announced that A.I. would be his next project, with Minority Report as a follow-up.[21] When he decided to fast track A.I., Spielberg brought Chris Baker back as concept artist.[15]

Filming

The original start date was July 10, 2000,[14] but filming was delayed until August.[22] Aside from a couple of weeks shooting on location in Oxbow Regional Park in Oregon, A.I. was shot entirely using sound stages at Warner Bros. Studios and the Spruce Goose Dome in Long Beach, south LA.[23] The Swinton house was constructed on Stage 16, while Stage 20 was used for Rouge City and other sets.[24][25] Spielberg copied Kubrick's obsessively secretive approach to filmmaking by refusing to give the complete script to cast and crew, banning press from the set, and making actors sign confidentiality agreements. Social robotics expert Cynthia Breazeal served as technical consultant during production.[14][26] Haley Joel Osment and Jude Law applied prosthetic makeup daily in an attempt to look shinier and robotic.[3] Costume designer Bob Ringwood (Batman, Troy) studied pedestrians on the Las Vegas Strip for his influence on the Rouge City extras.[27] Spielberg found post-production on A.I. difficult because he was simultaneously preparing to shoot Minority Report.[28]

Soundtrack

Main article: A.I. Artificial Intelligence (soundtrack)

The film's soundtrack was released by Warner Sunset Records in 2001. The original score was composed by John Williams and featured singers Lara Fabian on two songs and Josh Groban on one. The film's score also had a limited release as an official "For your consideration Academy Promo", as well as a complete score issue by La-La Land Records in 2015. The band Ministry appears in the film playing the song "What About Us?" (but the song does not appear on the official soundtrack album).

Release

Marketing

Warner Bros. used an alternate reality game titled The Beast to promote the film. Over forty websites were created by Atomic Pictures in New York City (kept online at Cloudmakers.org) including the website for Cybertronics Corp. There were to be a series of video games for the Xbox video game console that followed the storyline of The Beast, but they went undeveloped. To avoid audiences mistaking A.I. for a family film, no action figures were created, although Hasbro released a talking Teddy following the film's release in June 2001.[14]

In November 2000, during production, a video-only webcam (dubbed the "Bagel Cam") was placed in the craft services truck on the film's set at the Queen Mary Dome in Long Beach, California. Steven Spielberg, producer Kathleen Kennedy and various other production personnel visited the camera and interacted with fans over the course of three days.[29][30]

A.I. had its premiere at the Venice Film Festival in 2001.[31]

Box office

The film opened in 3,242 theaters in the United States on June 29, 2001, earning $29,352,630 during its opening weekend. A.I went on to gross $78.62 million in US totals as well as $157.31 million in foreign countries, coming to a worldwide total of $235.93 million.[32]

Critical response

The film received generally positive reviews. Based on 190 reviews collected by Rotten Tomatoes, 73% of the critics gave the film positive notices with a score of 6.6 out of 10. The website described the critical consensus perceiving the film as "a curious, not always seamless, amalgamation of Kubrick's chilly bleakness and Spielberg's warm-hearted optimism. [The film] is, in a word, fascinating."[33] By comparison, Metacritic collected an average score of 65, based on 32 reviews, which is considered favorable.[34]

Producer Jan Harlan stated that Kubrick "would have applauded" the final film, while Kubrick's widow Christiane also enjoyed A.I.[35] Brian Aldiss admired the film as well: "I thought what an inventive, intriguing, ingenious, involving film this was. There are flaws in it and I suppose I might have a personal quibble but it's so long since I wrote it." Of the film's ending, he wondered how it might have been had Kubrick directed the film: "That is one of the 'ifs' of film history - at least the ending indicates Spielberg adding some sugar to Kubrick's wine. The actual ending is overly sympathetic and moreover rather overtly engineered by a plot device that does not really bear credence. But it's a brilliant piece of film and of course it's a phenomenon because it contains the energies and talents of two brilliant filmmakers."[36] Richard Corliss heavily praised Spielberg's direction, as well as the cast and visual effects.[37] Roger Ebert awarded the film 4 out of 4 stars, saying that it was "Audacious, technically masterful, challenging, sometimes moving [and] ceaselessly watchable.[38]Leonard Maltin gives the film a not-so-positive review in his Movie Guide, giving it two stars out of four, writing: "[The] intriguing story draws us in, thanks in part to Osment's exceptional performance, but takes several wrong turns; ultimately, it just doesn't work. Spielberg rewrote the adaptation Stanley Kubrick commissioned of the Brian Aldiss short story 'Super Toys Last All Summer Long'; [the] result is a curious and uncomfortable hybrid of Kubrick and Spielberg sensibilities." However, he calls John Williams' music score "striking". Jonathan Rosenbaum compared A.I. to Solaris (1972), and praised both "Kubrick for proposing that Spielberg direct the project and Spielberg for doing his utmost to respect Kubrick's intentions while making it a profoundly personal work."[39] Film critic Armond White, of the New York Press, praised the film noting that "each part of David’s journey through carnal and sexual universes into the final eschatological devastation becomes as profoundly philosophical and contemplative as anything by cinema’s most thoughtful, speculative artists – Borzage, Ozu, Demy, Tarkovsky."[40] Filmmaker Billy Wilder hailed A.I. as "the most underrated film of the past few years."[41] When British filmmaker Ken Russell saw the film, he wept during the ending.[42]

Mick LaSalle gave a largely negative review. "A.I. exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg." Dubbing it Spielberg's "first boring movie", LaSalle also believed the robots at the end of the film were aliens, and compared Gigolo Joe to the "useless" Jar Jar Binks, yet praised Robin Williams for his portrayal of a futuristic Albert Einstein.[43] Peter Travers gave a mixed review, concluding "Spielberg cannot live up to Kubrick's darker side of the future." But he still put the film on his top ten list that year for best movies.[44] David Denby in The New Yorker criticized A.I. for not adhering closely to his concept of the Pinocchio character. Spielberg responded to some of the criticisms of the film, stating that many of the "so called sentimental" elements of A.I., including the ending, were in fact Kubrick's and the darker elements were his own.[45] However, Sara Maitland, who worked on the project with Kubrick in the 1990s, claimed that one of the reasons Kubrick never started production on A.I. was because he had a hard time making the ending work.[46] James Berardinelli found the film "consistently involving, with moments of near-brilliance, but far from a masterpiece. In fact, as the long-awaited 'collaboration' of Kubrick and Spielberg, it ranks as something of a disappointment." Of the film's highly debated finale, he claimed, "There is no doubt that the concluding 30 minutes are all Spielberg; the outstanding question is where Kubrick's vision left off and Spielberg's began."[47]

Screenwriter Ian Watson has speculated, "Worldwide, A.I. was very successful (and the 4th highest earner of the year) but it didn't do quite so well in America, because the film, so I'm told, was too poetical and intellectual in general for American tastes. Plus, quite a few critics in America misunderstood the film, thinking for instance that the Giacometti-style beings in the final 20 minutes were aliens (whereas they were robots of the future who had evolved themselves from the robots in the earlier part of the film) and also thinking that the final 20 minutes were a sentimental addition by Spielberg, whereas those scenes were exactly what I wrote for Stanley and exactly what he wanted, filmed faithfully by Spielberg."[48]

In 2002, Spielberg told film critic Joe Leydon that "People pretend to think they know Stanley Kubrick, and think they know me, when most of them don't know either of us". "And what's really funny about that is, all the parts of A.I. that people assume were Stanley's were mine. And all the parts of A.I. that people accuse me of sweetening and softening and sentimentalizing were all Stanley's. The teddy bear was Stanley's. The whole last 20 minutes of the movie was completely Stanley's. The whole first 35, 40 minutes of the film – all the stuff in the house – was word for word, from Stanley's screenplay. This was Stanley's vision." "Eighty percent of the critics got it all mixed up. But I could see why. Because, obviously, I've done a lot of movies where people have cried and have been sentimental. And I've been accused of sentimentalizing hard-core material. But in fact it was Stanley who did the sweetest parts of A.I., not me. I'm the guy who did the dark center of the movie, with the Flesh Fair and everything else. That's why he wanted me to make the movie in the first place. He said, 'This is much closer to your sensibilities than my own.'"[49]

Upon rewatching the film many years after its release, BBC film critic Mark Kermode apologized to Spielberg in an interview in January 2013 for "getting it wrong" on the film when he first viewed it in 2001. He now believes the film to be Spielberg's "enduring masterpiece".[50]

Accolades

Visual effects supervisors Dennis Muren, Stan Winston, Michael Lantieri and Scott Farrar were nominated for the Academy Award for Best Visual Effects, while John Williams was nominated for Best Original Music Score.[51] Steven Spielberg, Jude Law and Williams received nominations at the 59th Golden Globe Awards.[52] The visual effects department was once again nominated at the 55th British Academy Film Awards.[53] A.I. was successful at the Saturn Awards. Spielberg (for his screenplay), the visual effects department, Williams and Haley Joel Osment (Performance by a Younger Actor) won in their respective categories. The film also won Best Science Fiction Film and for its DVD release. Frances O'Connor and Spielberg (as director) were also nominated.[54]

The film is recognized by American Film Institute in these lists:

  • 2005: AFI's 100 Years of Film Scores – Nominated[55]
  • 2008: AFI's 10 Top 10:
    • Nominated Science Fiction Film[56]

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References

  1. "A.I. (12)". British Board of Film Classification. Retrieved on April 7, 2014.
  2. 2.0 2.1 "A.I. Artificial Intelligence (2001)". Internet Movie Database. Retrieved on April 7, 2014.
  3. 3.0 3.1 Haley Joel Osment, A Portrait of David, 2001, Warner Home Video; DreamWorks
  4. Jude Law, A Portrait of Gigolo Joe, 2001, Warner Home Video; DreamWorks
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  27. Bob Ringwood, Dressing A.I., 2001, Warner Home Video; DreamWorks
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  29. Spielberg visits the A.I. Bagel Cam on YouTube accessdate August 10, 2016
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  31. David Rooney (April 16, 2001). "'Dust' in the wind for Venice fest". Variety. Archived from the original on October 30, 2008. Retrieved July 19, 2008. Unknown parameter |deadurl= ignored (|url-status= suggested) (help)<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
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  34. "A.I. Artificial Intelligence (2001): Reviews". Metacritic. Retrieved on July 8, 2008.
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  36. "ARTIFICIAL INTELLIGENCE | The mind behind AI". BBC News (September 20, 2001). Retrieved on November 2, 2013.
  37. Richard Corliss (June 17, 2001). "A.I. – Spielberg's Strange Love". Time. Archived from the original on June 26, 2008. Retrieved August 6, 2008. Unknown parameter |deadurl= ignored (|url-status= suggested) (help)<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>[dead link]
  38. http://www.rogerebert.com/reviews/great-movie-ai-artificial-intelligence-2001
  39. Jonathan Rosenbaum (June 29, 2001). "The Best of Both Worlds". Chicago Reader. Retrieved August 6, 2008.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  40. Armond White (July 4, 2001). "Spielberg's A.I. Dares Viewers to Remember and Accept the Part of Themselves that Is Capable of Feeling". Retrieved on April 26, 2010.
  41. Paul Sussman (November 17, 2006). "Close encounters of the hugely profitable kind". CNN. Retrieved on October 2, 2015.
  42. Alex Russell (December 7, 2011). "Eyewitness: Ken Russell by his son". Retrieved on January 23, 2015.
  43. Mick LaSalle (June 29, 2001). "Artificial foolishness". San Francisco Chronicle. Retrieved August 6, 2008.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  44. Peter Travers (June 21, 2001). "A.I. Artificial Intelligence". Rolling Stone. Retrieved August 6, 2008.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
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  47. "Review: A.I". Reelviews.net. Retrieved on November 2, 2013.
  48. "Author Talk: Ian Watson". Moon Milk Review (May 10, 2010). Retrieved on April 7, 2012.
  49. Leydon, Joe (June 20, 2002). "'Minority Report' looks at the day after tomorrow -- and is relevant to today". Moving Picture Show. Retrieved April 29, 2009.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  50. Mark Kermode (January 22, 2013). "Blogs - Kermode Uncut - AI Apology". BBC. Retrieved on November 2, 2013.
  51. "Academy Awards: 2002". Internet Movie Database. Retrieved on July 14, 2008.
  52. "59th Golden Globe Awards". Internet Movie Database. Retrieved on July 14, 2008.
  53. 55th British Academy Film Awards. Internet Movie Database. Archived from the original on July 23, 2008. Retrieved on July 14, 2008.
  54. "Saturn Awards: 2002". Internet Movie Database. Retrieved on July 14, 2008.
  55. "AFI's 100 Years of Film Scores Nominees" (PDF). Retrieved on 2016-08-12.
  56. AFI's 10 Top 10 Nominees (PDF). Archived from the original on July 16, 2011. Retrieved on 2016-08-19.

Further reading

  • (2009) in Jane M. Struthers: A.I. Artificial Intelligence: From Stanley Kubrick to Steven Spielberg: The Vision Behind the Film. Thames & Hudson. ISBN 978-0-500-51489-4. 


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1926: The Fighting EdgeHis Jazz BrideThe Sea BeastThe Man UpstairsThe Golden CocoonThe CavemanThe Love ToyBride of the StormThe Night CryWhy Girls Go Back HomeThe Little Irish GirlOh! What a Nurse!The Gilded HighwayOther Women's HusbandsThe SapHell-Bent for HeavenSilken ShacklesThe Social HighwaymanFootloose WidowsThe Passionate QuestA Hero of the Big SnowsSo This Is ParisDon JuanBroken Hearts of HollywoodThe Honeymoon ExpressMillionairesAcross the PacificMy Official WifeThe Better 'OlePrivate Izzy MurphyWhile London SleepsThe Third Degree
1927: Finger PrintsWolf's ClothingThe Fortune HunterDon't Tell the WifeHills of KentuckyThe Gay Old BirdWhite FlannelsWhat Every Girl Should KnowMatinee LadiesBitter ApplesThe BruteTracked by the PoliceThe ClimbersIrish HeartsThe Missing LinkA Million BidSimple SisThe Black Diamond ExpressDearieWhat Happened to Father?The Heart of MarylandThe Bush LeaguerWhen a Man LovesThe Desired WomanSlightly UsedOld San FranciscoJaws of SteelOne-Round HoganThe First AutoA Sailor's SweetheartThe Jazz SingerSailor Izzy MurphyThe College WidowA Reno DivorceA Dog of the RegimentGood Time CharleyThe Silver SlaveThe Girl from ChicagoGinsberg the GreatBrass KnucklesIf I Were SingleHam and Eggs at the FrontHusbands for Rent
1928: Beware of Married MenA Race for LifeThe Little SnobAcross the AtlanticPowder My BackTenderloinDomestic TroublesThe Crimson CityRinty of the DesertGlorious BetsyPay as You EnterThe Lion And The MouseFive and Ten Cent AnnieLights of New YorkWomen They Talk AboutCaught in the FogState Street SadieThe Midnight TaxiThe TerrorNight WatchWaterfrontThe Singing FoolShow GirlDo Your DutyLand of the Silver FoxLilac TimeBeware of BachelorsNoah's ArkThe Home TownersThe Haunted HouseOutcastOn TrialAdorationThe Little WildcatThe BarkerMy ManConquestThe Ware Case
1929: Synthetic SinCheyenneScarlet SeasFancy BaggageSeven Footprints to SatanStark MadHis Captive WomanThe Greyhound LimitedThe Million Dollar CollarWeary RiverThe Redeeming SinThe Lawless LegionThe Royal RiderStolen KissesWhy Be Good?Children of the RitzSaturday's ChildrenOne Stolen NightKid GlovesQueen of the Night ClubsLove and the DevilHardboiled RoseThe Divine LadyNo DefenseThe Desert SongSonny BoyFrozen RiverFrom HeadquartersHouse of HorrorGlad Rag DollHot StuffThe SquallTwo Weeks OffPrisonersThe Flying ScotsmanCareersMadonna of Avenue AThe Girl in the Glass CageThe GamblersBroadway BabiesThe Man and the MomentThe Time, The Place And The GirlOn with the ShowTwin BedsDragSmiling Irish EyesHard to GetThe HottentotDark StreetsThe Argyle CaseSay It with SongsHer Private LifeGold Diggers of BroadwayHonky TonkIn the HeadlinesFast LifeSkin DeepHearts in ExileThe Careless AgeThe Great DivideA Most Immoral LadyThe Isle of Lost ShipsSo Long LettyIs Everybody Happy?Young NowheresThe Girl from Woolworth'sDisraeliParisFootlights and FoolsThe SapThe Forward PassLittle Johnny JonesThe Sacred FlameThe Painted AngelEvidenceThe Love RacketThe AviatorTiger RoseThe Show of ShowsWedding Rings

1930s
1930: Second ChoiceLilies of the FieldSallyPlaying AroundGeneral CrackIn the Next RoomWide OpenLoose AnklesThe Other TomorrowShe Couldn't Say NoNo, No, NanetteIsle of EscapeStrictly ModernThe Green GoddessSon of the GodsSong of the WestOn the BorderThe FuriesUnder a Texas MoonMurder Will OutSpring Is HereThose Who DanceShowgirl in HollywoodThe Second Floor MysteryHold EverythingA Notorious AffairThe Man HunterDumbbells in ErmineThe Flirting WidowThe Man from Blankley'sSong of the FlameMammyBack PayCourageRough WatersGolden DawnSweethearts and WivesBride of the RegimentSweet MamaRecaptured LoveRoad to ParadiseSweet Kitty BellairsDancing SweetiesThree Faces EastThe Matrimonial BedNumbered MenThe Dawn PatrolOh Sailor BehaveThe Office WifeTop SpeedThe Way of All MenBig Boy (film)Moby DickThe Bad ManBright LightsOld EnglishScarlet PagesMaybe It's LoveCollege LoversSinner's HolidayThe Girl of the Golden WestThe Doorway to HellThe Truth About YouthThe Life of the PartyA Soldier's PlaythingRiver's EndThe GorillaSunnyCall of the SeaThe Widow from ChicagoOutward BoundOne Night at Susie'sMan to ManMothers CryDivorce Among FriendsThe LashGoing WildCaptain Thunder

1931: Viennese NightsLittle CaesarThe Naughty FlirtOther Men's WomenKismetCaptain ApplejackGoing WildThe Right of WayIllicitKiss Me AgainSit TightFather's SonFifty Million FrenchmenThe Hot HeiressThe Silent PartnerWoman HungryThe Finger PointsMisbehaving LadiesGod's Gift to WomenSvengaliToo Young to MarryMy PastThe MillionaireThe Public EnemyThe Lady Who DaredParty HusbandThe Maltese FalconMen of the SkyGold Dust GertieBig Business GirlSmart MoneyChancesChildren of DreamsBroadmindedStranger in TownNight NurseBought!The Reckless HourThe Star WitnessThe Last FlightThe BargainAlexander HamiltonI Like Your NerveSide ShowFive Star FinalPenrod and SamThe Road to SingaporeHonor of the FamilyExpensive WomenThe Ruling VoiceThe Mad GeniusBlonde CrazyLocal Boy Makes GoodCompromisedSafe in HellManhattan ParadeUnder EighteenHer Majesty, Love
1932: The Woman from Monte CarloUnion DepotTaxi!High PressureThe Hatchet ManThe Man Who Played GodFireman, Save My ChildA Fool's AdviceThe ExpertPlay GirlAlias the DoctorThe Heart of New YorkIt's Tough to Be FamousBeauty and the BossThe Crowd RoarsMan WantedSo BigThe MouthpieceThe Famous Ferguson CaseThe Rich Are Always with UsThe TenderfootThe Strange Love of Molly LouvainTwo SecondsStreet of WomenThe Dark HorseLove Is a RacketWeek-End MarriageWinner Take AllThe Purchase PriceMiss PinkertonJewel RobberyCroonerDoctor XTwo Against the WorldBig City BluesBlessed EventLife BeginsA Successful CalamityTiger SharkIllegalThe Big StampedeThe CrashThe Cabin in the CottonOne Way PassageThree on a MatchThey Call It SinScarlet DawnI Am a Fugitive from a Chain GangYou Said a MouthfulCentral ParkHaunted Gold20,000 Years in Sing SingSilver DollarThe Match King
1933: Lawyer ManFrisco JennyHard to HandleParachute JumperLadies They Talk AboutEmployees' EntranceMystery of the Wax MuseumThe King's VacationBlondie JohnsonGirl Missing42nd StreetGrand SlamThe Telegraph TrailThe KeyholeThe Mind ReaderUntamed AfricaCentral AirportThe Working ManElmer, the GreatPicture SnatcherLilly TurnerEx-LadyThe Little GiantGold Diggers of 1933The Life of Jimmy DolanPrivate Detective 62The Silk ExpressHeroes for SaleThe Mayor of HellBaby FaceThe Narrow CornerShe Had to Say YesMary Stevens, M.D.VoltaireCaptured!Goodbye AgainBureau of Missing PersonsI Loved a WomanWild Boys of the RoadFootlight ParadeThe Kennel Murder CaseEver in My HeartCollege CoachFemaleFrom HeadquartersHavana WidowsThe World ChangesLady KillerConvention CityThe House on 56th StreetSon of a Sailor
1934: The Big ShakedownEasy to LoveHi, Nellie!MassacreBedsideDark HazardMandalayAs the Earth TurnsFashions of 1934I've Got Your NumberHeat LightningJimmy the GentJournal of a CrimeWonder BarRegistered NurseHarold TeenA Modern HeroUpperworldA Very Honorable GuyMerry Wives of RenoSmartyTwenty Million SweetheartsThe Merry FrinksFog Over FriscoThe KeyHe Was Her ManDr. MonicaThe Circus ClownReturn of the TerrorThe Personality KidMidnight AlibiSide StreetsHere Comes the NavyFriends of Mr. SweeneyThe Man with Two FacesHousewifeThe Dragon Murder CaseDamesDesirableBritish AgentA Lost LadyThe Case of the Howling DogBig Hearted HerbertKansas City PrincessMadame Du Barry6 Day Bike RiderI Sell AnythingHappiness AheadThe FirebirdThe St. Louis KidGentlemen Are BornI Am a ThiefFlirtation WalkBabbittThe Church MouseMurder in the CloudsThe Secret BrideSweet Adeline
1935: Maybe It's LoveBordertownThe Right to LiveThe White CockatooRed Hot TiresDevil Dogs of the AirThe Woman in RedThe Singer of NaplesSweet MusicLiving on VelvetWhile the Patient SleptGold Diggers of 1935A Night at the RitzTraveling SalesladyThe Florentine DaggerThe Case of the Curious BrideGo into Your DanceMary Jane's PaG MenDinkyBlack FuryIn CalienteThe Girl from 10th AvenueOil for the Lamps of ChinaAlibi IkeStrandedDon't Bet on BlondesFront Page WomanBright LightsBroadway GondolierThe Irish in UsWe're in the MoneyGoing HighbrowLittle Big ShotPage Miss GlorySpecial AgentThe Goose and the GanderI Live for LoveA Midsummer Night's DreamThe Case of the Lucky LegsShipmates ForeverDr. SocratesPersonal Maid's SecretMoonlight on the PrairieThe PayoffI Found Stella ParishStars Over BroadwayFrisco KidBroadway HostessMiss Pacific FleetMan of IronDangerousCaptain Blood
1936: The Murder of Dr. HarriganCeiling ZeroFreshman LoveThe Widow from Monte CarloThe Petrified ForestMr. Cohen Takes a WalkMan HuntThe Story of Louis PasteurSong of the SaddleBoulder DamThe Walking DeadColleenRoad GangSnowed UnderThe Singing KidBrides Are Like ThatI Married a DoctorTreachery Rides the RangeTimes Square PlayboyThe Law in Her HandsThe Golden ArrowSons o' GunsBullets or BallotsMurder by an AristocratHearts DividedThe Big NoiseThe White AngelTwo Against the WorldHot MoneySatan Met a LadyEarthworm TractorsPublic Enemy's WifeBengal TigerThe Green PasturesJailbreakThe Case of the Velvet ClawsChina ClipperLove Begins at 20Anthony AdverseTrailin' WestStage StruckGive Me Your HeartDown the StretchCain and MabelIsle of FuryThe Charge of the Light BrigadeHere Comes CarterThe Case of the Black CatCalifornia MailThe Captain's KidThree Men on a HorseFugitive in the SkyPolo JoeKing of HockeyGold Diggers of 1937Great Guy
1937: Guns of the PecosSmart BlondeSing Me a Love SongGod's Country and the WomanOnce a DoctorBlack LegionStolen HolidayThe Great O'MalleyGreen LightHer Husband's SecretaryPenrod and SamMidnight CourtReady, Willing and AbleLand Beyond the LawThe King and the Chorus GirlMen in ExileMarked WomanCall It a DayThat Man's Here AgainMountain JusticeMelody for TwoThe Prince and the PauperThe Cherokee StripDraegerman CourageThe Go GetterKid GalahadThe Case of the Stuttering BishopBlazing SixesFly-Away BabySlimAnother DawnThe Singing MarineEmpty HolstersPublic WeddingMarry the GirlEver Since EveTalent ScoutWhite BondageSan QuentinDance Charlie DanceThe Devil's Saddle LegionThe Footloose HeiressMr. Dodd Takes the AirConfessionVarsity ShowPrairie ThunderWine, Women and HorsesThat Certain WomanBack in CirculationThe Life of Emile ZolaLove Is on the AirThey Won't ForgetOver the GoalThe Perfect SpecimenThe Great GarrickWest of ShanghaiAlcatraz IslandThe Adventurous BlondeIt's Love I'm AfterExpensive HusbandsSubmarine D-1First LadyMissing WitnessesSh! The OctopusShe Loved a FiremanTovarich
1938: Sergeant MurphyThe Patient in Room 18Swing Your LadyHollywood HotelThe Invisible MenaceBlondes at WorkDaredevil DriversGold Is Where You Find ItPenrod and His Twin BrotherA Slight Case of MurderLove, Honor and BehaveHe Couldn't Say NoJezebelOver the WallAccidents Will HappenFools for ScandalWomen Are Like ThatThe Beloved BratTorchy Blane in PanamaThe Adventures of Robin HoodMystery HouseCrime SchoolLittle Miss ThoroughbredGold Diggers in ParisWhen Were You BornWhite BannersCowboy from BrooklynMy BillMen Are Such FoolsRacket BustersPenrod's Double TroubleThe Amazing Dr. ClitterhouseMr. ChumpFour DaughtersBoy Meets GirlFour's a CrowdSecrets of an ActressValley of the GiantsGarden of the MoonBroadway MusketeersThe SistersGirls on ProbationBrother RatHard to GetTorchy Gets Her ManNancy Drew... DetectiveAngels with Dirty FacesComet Over BroadwayHeart of the NorthThe Dawn PatrolGoing Places
1939: Devil's IslandKing of the UnderworldOff the RecordThey Made Me a CriminalTorchy Blane in ChinatownWings of the NavyNancy Drew... ReporterYes, My Darling DaughterSecret Service of the AirThe Oklahoma KidThe Adventures of Jane ArdenBlackwell's IslandOn TrialDodge CityWomen in the WindDark VictoryJuarezConfessions of a Nazi SpyTorchy Runs for MayorSweepstakes WinnerYou Can't Get Away with MurderThe Kid from KokomoCode of the Secret ServiceThe Man Who DaredNancy Drew... Trouble ShooterNaughty but NiceHell's KitchenWaterfrontDaughters CourageousEach Dawn I DieThe Cowboy QuarterbackIndianapolis SpeedwayTorchy Blane... Playing with DynamiteThe Angels Wash Their FacesEverybody's HobbyThe Old MaidNancy Drew and the Hidden StaircaseDust Be My DestinyNo Place to GoEspionage AgentPride of the Blue GrassOn Your ToesSmashing the Money RingThe Roaring TwentiesKid NightingaleThe Private Lives of Elizabeth and EssexOn Dress ParadeWe Are Not AloneThe Return of Doctor XPrivate DetectiveThe Mad EmpressSons of the SeaFour WivesInvisible Stripes

1940s
1940: A Child Is BornBrother Rat and a BabyThe Fighting 69thBritish IntelligenceCalling Philo VanceGranny Get Your GunCastle on the HudsonDr. Ehrlich's Magic BulletThree Cheers for the IrishVirginia CityIt All Came TrueKing of the Lumberjacks'Til We Meet AgainAn Angel from TexasTear Gas SquadSaturday's ChildrenFlight AngelsTorrid ZoneMurder in the AirBrother OrchidA Fugitive from JusticeGambling on the High SeasThe Sea HawkAll This, and Heaven TooMy Love Came BackThe Man Who Talked Too MuchLadies Must LiveThey Drive by NightRiver's EndMoney and the WomanFlowing GoldCalling All HusbandsNo Time for ComedyCity for ConquestKnute Rockne, All AmericanA Dispatch from Reuter'sTugboat Annie Sails AgainAlways a BrideEast of the RiverSouth of SuezFather Is a PrinceThe LetterLady with Red HairShe Couldn't Say NoSanta Fe Trail

1941: Four MothersThe Case of the Black ParrotHoneymoon for ThreeHigh SierraFlight from DestinyFather's SonThe Great Mr. NobodyThe Strawberry BlondeShadows on the StairsFootsteps in the DarkHere Comes HappinessThe Sea WolfKnockoutA Shot in the DarkThe Great LieStrange AlibiThe Wagons Roll at NightThieves Fall OutMeet John DoeAffectionately YoursSingapore WomanThe Nurse's SecretMillion Dollar BabyShining VictoryOut of the FogUndergroundKisses for BreakfastThe Bride Came C.O.D.Bullets for O'HaraBad Men of MissouriThree Sons o' GunsHighway WestManpowerInternational SquadronDive BomberThe Smiling GhostNavy BluesNine Lives Are Not EnoughSergeant YorkPassage from Hong KongLaw of the TropicsTarget for TonightThe Maltese FalconOne Foot in HeavenBlues in the NightThey Died with Their Boots OnAll Through the NightThe Body DisappearsSteel Against the SkyDangerously They LiveYou're in the Army Now
1942: The Man Who Came to DinnerWild Bill Hickok RidesThe Prime MinisterAtlantic FerryCaptains of the CloudsBullet ScarsAlways in My HeartThis Was ParisLady GangsterI Was FramedThe Male AnimalMurder in the Big HouseKings RowLarceny, Inc.In This Our LifeJuke GirlSpy ShipYankee Doodle DandyThe Big ShotWings for the EagleEscape from CrimeThe Gay SistersAcross the PacificSecret EnemiesBusses RoarDesperate JourneyYou Can't Escape ForeverNow, VoyagerThe Hidden HandGentleman JimCasablancaGeorge Washington Slept HereFlying Fortress
1943: The Gorilla ManTruck BustersThe Hard WayThe Mysterious DoctorAir ForceEdge of DarknessMission to MoscowAction in the North AtlanticThe Constant NymphPledge to BataanBackground to DangerThis Is the ArmyWatch on the RhineMurder on the WaterfrontThank Your Lucky StarsAdventure in IraqPrincess O'RourkeFind the BlackmailerNorthern PursuitOld AcquaintanceThe Desert SongDestination Tokyo
1944: In Our TimePassage to MarseilleShine On, Harvest MoonUncertain GloryBetween Two WorldsMr. SkeffingtonMake Your Own BedThe Mask of DimitriosThe Adventures of Mark TwainJanieCrime by NightArsenic and Old LaceThe Last RideTo Have and Have NotThe Very Thought of YouThe ConspiratorsThe DoughgirlsHollywood Canteen
1945: Roughly SpeakingObjective, Burma!Hotel BerlinGod Is My Co-PilotThe Horn Blows at MidnightEscape in the DesertPillow to PostConflictThe Corn Is GreenChristmas in ConnecticutPride of the MarinesRhapsody in BlueMildred PierceConfidential AgentDanger SignalToo Young to KnowAppointment in TokyoSan Antonio
1946: My ReputationThree StrangersCinderella JonesSaratoga TrunkDevotionHer Kind of ManOne More TomorrowJanie Gets MarriedA Stolen LifeOf Human BondageTwo Guys from MilwaukeeNight and DayThe Big SleepShadow of a WomanCloak and DaggerDeceptionNobody Lives ForeverNever Say GoodbyeThe VerdictThe Beast with Five FingersHumoresqueThe Time, the Place and the Girl
1947: The Man I LoveNora PrentissThe Two Mrs. CarrollsPursuedThat Way with WomenStallion RoadLove and LearnThe UnfaithfulCheyennePossessedDeep ValleyLife with FatherCry WolfDark PassageThe UnsuspectedThat Hagen GirlEscape Me NeverAlways TogetherThe Voice of the TurtleMy Wild Irish Rose
1948: The Treasure of the Sierra MadreMy Girl TisaThey Made Me a FugitiveApril ShowersWinter MeetingTo the VictorThe Woman in WhiteSilver RiverWallflowerThe Big PunchRomance on the High SeasKey LargoEmbraceable YouRopeTwo Guys from TexasJohnny BelindaSmart Girls Don't TalkJune BrideFighter SquadronAdventures of Don JuanThe Decision of Christopher BlakeWhiplash
1949: One Sunday AfternoonJohn Loves MaryFlaxy MartinSouth of St. LouisA Kiss in the DarkBurma VictoryHomicideMy Dream Is YoursThe Younger BrothersFlamingo RoadNight Unto NightColorado TerritoryOne Last FlingThe FountainheadThe Girl from Jones BeachLook for the Silver LiningIt's a Great FeelingWhite HeatThe House Across the StreetGolden MadonnaTask ForceUnder CapricornBeyond the ForestThe Story of SeabiscuitAlways Leave Them LaughingThe Hasty HeartThe Lady Takes a SailorThe Inspector General

1950s
1950: MontanaBackfireChain LightningYoung Man with a HornPerfect StrangerBarricadeStage FrightThe Daughter of Rosie O'GradyThe Damned Don't CryCagedColt .45This Side of the LawReturn of the FrontiersmanFifty Years Before Your EyesBright LeafThe Flame and the ArrowThe Great Jewel RobberKiss Tomorrow GoodbyeTea for TwoPretty BabyThe Glass MenagerieThe Breaking PointThree SecretsRocky MountainBreakthroughThe West Point StoryHighway 301Dallas

1951: Operation PacificStorm WarningSugarfootThe EnforcerLullaby of BroadwayRaton PassLightning Strikes TwiceOnly the ValiantI Was a Communist for the FBIInside the Walls of Folsom PrisonGoodbye, My FancyAlong the Great DivideStrangers on a TrainFort WorthOn Moonlight BayForce of ArmsJim Thorpe – All-AmericanCaptain Horatio HornblowerA Streetcar Named DesireTomorrow Is Another DayPainting the Clouds with SunshineCome Fill the CupThe Tanks Are ComingClose to My HeartI'll See You in My DreamsStarliftDistant Drums
1952: Room for One MoreThe Big TreesThis Woman Is DangerousRetreat, Hell!Bugles in the AfternoonJack and the BeanstalkMara MaruThe Lion and the HorseThe San Francisco StoryAbout FaceCarson CityThe Winning TeamWhere's Charley?3 for Bedroom CShe's Working Her Way Through CollegeThe Story of Will RogersThe Miracle of Our Lady of FatimaBig Jim McLainCattle TownThe Crimson PirateSpringfield RifleOperation SecretThe Iron MistressStop, You're Killing MeApril in ParisAbbott and Costello Meet Captain KiddThe Jazz Singer
1953: The Man Behind the GunShe's Back on BroadwayI ConfessBy the Light of the Silvery MoonThe Blue GardeniaSo You Want to Learn to DanceTrouble Along the WayThe SystemHouse of WaxThe Desert SongThe Beast from 20,000 FathomsSouth Sea WomanElizabeth Is QueenThe Charge at Feather RiverSo This Is LoveThe Master of BallantraeThe Beggar's OperaPlunder of the SunIsland in the SkyThe MoonlighterA Lion Is in the StreetsBlowing WildThunder Over the PlainsSo BigCalamity JaneThree Sailors and a GirlHondoThe Diamond QueenThe Eddie Cantor Story
1954: His Majesty O'KeefeThe CommandThe Boy from OklahomaCrime WaveDuffy of San QuentinPhantom of the Rue MorgueRiding ShotgunLucky MeDial M for MurderThem!The High and the MightyRing of FearKing Richard and the CrusadersDuel in the JungleDragnetThe Bounty HunterA Star Is BornDrum BeatTrack of the CatThe Silver Chalice
1955: UnchainedYoung at HeartBattle CryNew York ConfidentialMurder Is My BeatEast of EdenStrange Lady in TownThe Sea ChaseTall Man RidingLand of the PharaohsMister RobertsThe Dam BustersPete Kelly's BluesJump into HellThe McConnell StoryBlood AlleyRebel Without a CauseIllegalSincerely YoursI Died a Thousand TimesTarget ZeroThe Court-Martial of Billy Mitchell
1956: Helen of TroyHell on Frisco BayThe Lone RangerThe River ChangesThe Steel JungleSerenadeMiracle in the RainOur Miss BrooksGood-bye, My LadyThe SearchersThe Animal WorldMoby DickSantiagoSatellite in the SkySeven Men from NowA Cry in the NightThe Bad SeedThe Burning HillsThe Girl He Left BehindToward the UnknownGiantBaby DollThe Wrong Man
1957: Top Secret AffairThe Spirit of St. LouisThe Big LandElena and Her MenDeep AdventureX the UnknownShoot-Out at Medicine BendUntamed YouthThe Counterfeit PlanA Face in the CrowdThe D.I.The Prince and the ShowgirlThe Curse of FrankensteinBand of AngelsThe Rising of the MoonThe Pajama GameWoman in a Dressing GownBlack PatchJohnny TroubleThe Abominable SnowmanThe Helen Morgan StoryThe Black ScorpionThe James Dean StoryThe Story of MankindBombers B-52SayonaraThe Green-Eyed Blonde
1958: The Deep SixDarby's RangersLafayette EscadrilleChase a Crooked ShadowManhunt in the JungleToo Much, Too SoonFort DobbsMarjorie MorningstarStakeout on Dope StreetThe Left Handed GunViolent RoadNo Time for SergeantsDangerous YouthBadman's CountryIndiscreetThe Naked and the DeadWind Across the EvergladesDamn YankeesGirl on the RunThe Old Man and the SeaOnionheadEnchanted IslandHome Before DarkFrom the Earth to the MoonBorn RecklessAuntie Mame
1959: The Hanging TreeUp PeriscopeRio BravoWestboundIsland of Lost WomenGigantis the Fire MonsterThe Young PhiladelphiansTeenagers from Outer SpaceJohn Paul JonesThe Nun's StoryHerculesLook Back in AngerThe FBI Story-30-Yellowstone KellyThe MiracleA Summer Place

1960s
1960: Ice PalaceCash McCallGuns of the TimberlandThe Rise and Fall of Legs DiamondThe Bramble BushThe ThreatThis Rebel BreedThe Cranes Are FlyingTall StorySergeant RutledgeHannibalHercules UnchainedOcean's 11The Crowded SkySunrise at CampobelloThe Dark at the Top of the StairsGirl of the NightThe Sundowners

1961: A Fever in the BloodGold of the Seven SaintsThe Sins of Rachel CadePortrait of a MobsterParrishFannyThe Fabulous World of Jules VerneThe Steel ClawClaudelle InglishSplendor in the GrassThe MaskSusan SladeA Majority of OneThe Roman Spring of Mrs. Stone
1962: The CouchSamar House of WomenRome AdventureThe Singer Not the SongLad, A DogMerrill's MaraudersThe Music ManGuns of DarknessThe Chapman ReportGay Purr-eeWhat Ever Happened to Baby Jane?GypsyThe Story of the Count of Monte CristoMalagaDays of Wine and Roses
1963: Term of TrialBlack GoldCritic's ChoiceSpencer's MountainIsland of LovePT-109Wall of NoiseThe CastilianRampageMary, MaryPalm Springs WeekendAmerica AmericaThe Man from Galveston4 for TexasAct One
1964: Dr. CrippenDead RingerThe Incredible Mr. LimpetFBI Code 98A Distant TrumpetRobin and the 7 HoodsEnsign PulverKisses for My PresidentRichard Burton's HamletCheyenne AutumnYoungblood HawkeDear HeartMy Fair LadySex and the Single Girl
1965: Two on a GuillotineNone but the BraveMy Blood Runs ColdBrainstormThe Battle of the Villa FioritaThe Woman Who Wouldn't DieThe Great RaceThe Third DayCatch Us If You CanMurietaMarriage on the RocksLa BohèmeNever Too LateOthelloBattle of the Bulge
1966: Inside Daisy CloverHarperStop the World - I Want to Get OffA Big Hand for the Little LadyWho's Afraid of Virginia Woolf?A Fine MadnessAn American Dream'KaleidoscopeAny WednesdayChamber of HorrorsNot with My Wife, You Don't!Once Before I DieYou're a Big Boy Now
1967: HotelFirst to FightThe Corrupt OnesA Covenant with DeathThe MikadoThe Cool OnesThe Family WayUp the Down StaircaseTriple CrossThe Naked RunnerBonnie and ClydeThe BoboReflections in a Golden EyeCamelotWait Until DarkCool Hand LukeIt!The Frozen Dead
1968: The Vengeance of Fu ManchuFirecreekFlaming FrontierCountdownThe FoxSweet NovemberThe Shuttered RoomBye Bye BravermanThe Young Girls of RochefortKona CoastThe Double ManChubascoPetuliaThe Devil in LoveThe Green BeretsThe Heart Is a Lonely HunterRachel, RachelHugo and JosephineFinian's RainbowBullittI Love You, Alice B. Toklas!Assignment to KillThe Sea GullThe Sergeant
1969: They Came to Rob Las VegasDracula Has Risen from the GraveThe Trygon FactorThe Big Bounce2000 Years LaterThe Illustrated ManThe Sweet Body of DeborahThe Big CubeThe Wild BunchThe Learning TreeThe Rain PeopleOn My Way to the Crusades, I Met a Girl Who...The Valley of GwangiThe Great Bank RobberyThe Good Guys and the Bad GuysThe Madwoman of ChaillotOnce You Kiss a StrangerThe ArrangementThe Damned80 Steps to Jonah

1970s
1970: Last of the Mobile Hot ShotsStart the Revolution Without MeFrankenstein Must Be DestroyedMoon Zero TwoWoodstockThe PhynxThe Ballad of Cable HogueTaste the Blood of DraculaChisumPerformanceWhich Way to the Front?Rabbit, RunTrogThe Rise and Rise of Michael RimmerFlapThere Was a Crooked Man...

1971: The Priest's WifeTHX 1138When Dinosaurs Ruled the EarthSummer of '42Billy JackDeath in VeniceMcCabe & Mrs. MillerKluteDusty and Sweets McGeeThe DevilsThe Omega ManAnd the Crows Will Dig Your GraveMedicine Ball CaravanSkin GameZeppelinMan in the WildernessA Clockwork OrangeDirty Harry
1972: The CowboysSnow JobDealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag BluesWhat's Up, Doc?Malcolm XAdam's WomanGet to Know Your RabbitPortnoy's ComplaintThe CandidateCome Back, Charleston BlueA Fan's NotesDeliveranceCry for Me, BillySuper FlyCancel My ReservationThe EmigrantsDracula A.D. 1972RageCrescendoJeremiah Johnson
1973: Steelyard BluesThe Train RobbersThe Thief Who Came to DinnerKing BoxerClass of '44ScarecrowThe Last of SheilaBlume in LoveO Lucky Man!Cahill U.S. MarshalCleopatra JonesThe Mackintosh ManEnter the DragonDay for NightMean StreetsBadlandsThe All-American BoyThe New LandJimi HendrixThe Deadly TrackersAmarcordMagnum ForceThe ExorcistTreasure Island
1974: Sacred Knives of VengeanceBlack Belt JonesMcQBlazing SaddlesMameOur TimeWelcome to Arrow BeachBlack EyeZandy's BrideCrazeThe Terminal ManOliver TwistUptown Saturday NightBlack SamsonIt's AliveHangupThe AbdicationAnimals Are Beautiful PeopleThe Towering InfernoBlack ChristmasFreebie and the Bean
1975: Alice Doesn't Live Here AnymoreRafferty and the Gold Dust TwinsThe Prisoner of Second AvenueThe YakuzaLepkeDoc Savage: The Man of BronzeThe Wicker ManNight MovesThe Drowning PoolCleopatra Jones and the Casino of GoldDog Day AfternoonLisztomaniaLet's Do It AgainOperation DaybreakThe Ultimate WarriorFrom Beyond the GraveBarry Lyndon
1976: Inside OutCatherine & Co.Hot PotatoSparkleAll the President's MenOde to Billy JoeThe Outlaw Josey WalesThe Gumball RallyThe RitzSt. IvesThe Killer Inside MeLed Zeppelin: The Song Remains the SameA Star Is BornThe Enforcer
1977: The Late ShowBrothersViva Knievel!Exorcist II: The HereticGreased LightningOutlaw BluesOne on OneBobby DeerfieldOh, God!A Piece of the ActionStarship InvasionsThe PackThe Goodbye GirlThe Gauntlet
1978: A Night Full of RainAn Enemy of the PeopleCrossed SwordsStraight TimeThe Medusa TouchIt Lives AgainThe Sea GypsiesBig WednesdayCapricorn OneThe SwarmHooperGirlfriendsWho Is Killing the Great Chefs of Europe?BloodbrothersThe Great Bank HoaxMovie MovieSupermanEvery Which Way but Loose
1979: AgathaBoulevard NightsAshantiTiltA Little RomanceOver the EdgeBeyond the Poseidon AdventureThe In-LawsThe Main EventThe WanderersThe Frisco KidLife of BrianTime After TimeThe Bugs Bunny/Road Runner Movie10JesusThe Great SantiniPromises in the DarkGoing in Style

1980s
1980: Just Tell Me What You WantSimonThe Ninth ConfigurationWhen Time Ran OutTom HornGilda LiveDie LaughingHeart BeatFriday the 13thThe ShiningUp the AcademyBronco BillyNo NukesHoneysuckle RoseCaddyshackThe Fiendish Plot of Dr. Fu ManchuThe Big BrawlAC/DC: Let There Be RockDivine MadnessThe First Deadly SinOne-Trick PonyOh, God! Book IIPrivate BenjaminThe AwakeningAny Which Way You CanFirst FamilyAltered States

1981: The Man Who Saw TomorrowSphinxBack RoadsEyes of a StrangerThis Is ElvisExcaliburThe HandOutlandSuperman IIArthurWolfenUnder the RainbowPrince of the CityBody HeatSo FineLookerThe Looney Looney Looney Bugs Bunny MovieRolloverSharky's Machine
1982: Personal BestTragedy of a Ridiculous ManDeathtrapChariots of FireSoup for OneMad Max 2The Escape ArtistFirefoxBlade RunnerA Midsummer Night's Sex ComedyThe World According to GarpNight ShiftHammettHey Good Lookin'Love ChildCreepshowFive Days One SummerBugs Bunny's Third Movie: 1001 Rabbit TalesHonkytonk ManBest Friends
1983: Independence DayLocal HeroTable for FiveLovesickHigh Road to ChinaThe OutsidersDeadly EyesBetter Late Than NeverBlue Skies AgainThe Man with Two BrainsSuperman IIITwilight Zone: The MovieStroker Ace (International) • ZeligNational Lampoon's VacationTwice Upon a TimeDaffy Duck's Fantastic IslandRisky BusinessCujoNever Say Never AgainThe Right StuffDeal of the CenturyStar 80Of Unknown OriginSudden Impact
1984: LassiterMike's MurderPolice AcademyPurple HeartsGreystoke: The Legend of Tarzan, Lord of the ApesSwing ShiftFinders KeepersOnce Upon a Time in AmericaGremlinsCannonball Run IIThe NeverEnding StoryPurple RainGrandview, U.S.A.TightropeCalWindy CityIrreconcilable DifferencesThe Little Drummer GirlAmerican DreamerThe Killing FieldsOh, God! You DevilRazorbackCity HeatProtocol
1985: FandangoVision QuestBeyond the WallsLost in AmericaPolice Academy 2: Their First AssignmentLadyhawkeSeven Minutes in HeavenCracking UpDoin' TimeThe GooniesPale RiderMad Max: Beyond ThunderdomeNational Lampoon's European VacationSesame Street Presents Follow That BirdPee-wee's Big AdventureAmerican FlyersThe ProtectorMishima: A Life in Four ChaptersBetter Off DeadAfter HoursKrush GrooveEleniTargetRainbow Brite and the Star StealerSpies Like UsThe Color PurpleRevolution
1986: The Clan of the Cave BearWildcatsThe Frog PrincePolice Academy 3: Back in TrainingThe Flight of DragonsMr. LoveCobraUnder the Cherry MoonClub ParadiseOne Crazy SummerA Man and a Woman: 20 Years LaterKnights & EmeraldsRound MidnightTrue StoriesDeadly FriendRatboyThe MissionThe Mosquito CoastHeartbreak RidgeLittle Shop of Horrors
1987: Instant JusticeOver the TopLethal WeaponBurglarPolice Academy 4: Citizens on PatrolCreepshow 2It's Alive III: Island of the AliveA Return to Salem's LotThe Witches of EastwickFull Metal JacketInnerspaceSuperman IV: The Quest for PeaceThe Lost BoysWho's That GirlDisorderliesSurrenderNutsEmpire of the Sun
1988: FranticMovingStand and DeliverPolice Academy 5: Assignment Miami BeachBeetlejuiceAbove the LawFunny FarmArthur 2: On the RocksThe Dead PoolCaddyshack IIClean and SoberStealing HomeHot to TrotRunning on EmptyCrossing DelanceyGorillas in the MistDaffy Duck's QuackbustersBirdImagine: John LennonClara's HeartThelonious Monk: Straight, No ChaserFedsMoonwalkerEverybody's All-AmericanA Cry in the DarkTequila SunriseDangerous LiaisonsThe Accidental Tourist
1989: Her AlibiBert Rigby, You're a FoolLean on MePolice Academy 6: City Under SiegeDead BangDead CalmSee You in the MorningChecking OutHow to Get Ahead in AdvertisingPink CadillacBatmanLethal Weapon 2Young EinsteinCookiePenn & Teller Get KilledIn CountryNext of KinSecond SightNational Lampoon's Christmas VacationDriving Miss DaisyRoger & MeThe DelinquentsTango & Cash

1990s
1990: Men Don't LeaveHard to KillJoe Versus the VolcanoLambadaImpulseGremlins 2: The New BatchQuick ChangePresumed InnocentMy Blue HeavenDreamsThe WitchesWhite Hunter, Black HeartGoodfellasListen Up: The Lives of Quincy JonesMemphis BelleReversal of FortuneGraffiti BridgeThe Nutcracker PrinceThe RookieThe Sheltering SkyThe Bonfire of the Vanities

1991: HamletThe NeverEnding Story II: The Next ChapterNothing but TroubleNew Jack CityIf Looks Could KillGuilty by SuspicionDefending Your LifeOut for JusticeBorn to RideSwitchDon't Tell Mom the Babysitter's DeadRobin Hood: Prince of ThievesDoc HollywoodRover DangerfieldGoing UnderShowdown in Little TokyoDogfightRicochetOther People's MoneyCurly SueStrictly BusinessMeeting VenusThe Last Boy ScoutJFKUntil the End of the World
1992: FreejackHurricane SmithFinal AnalysisThe Mambo KingsMemoirs of an Invisible ManThe Power of OneLadybugsCity of JoyWhite SandsTurtle BeachLethal Weapon 3Class ActBatman ReturnsMom and Dad Save the WorldUnforgivenStay TunedChristopher Columbus: The DiscoverySouth CentralSinglesInnocent BloodUnder SiegePure CountryPassenger 57The Last of the MohicansMalcolm XThe BodyguardForever Young
1993: SommersbyFalling DownPoint of No ReturnThe CrushThis Boy's LifeBoiling PointDaveMade in AmericaDennis the MenaceFree WillyThat NightThe FugitiveThe Secret GardenThe Man Without a FaceTrue RomanceAirborneM. ButterflyDemolition ManFearlessMr. WonderfulKikaThe Saint of Fort WashingtonA Perfect WorldThe NutcrackerThe Pelican BriefWrestling Ernest HemingwayBatman: Mask of the PhantasmGrumpy Old MenHeaven & Earth
1994: Body SnatchersThe Legend of Drunken MasterAce Ventura: Pet DetectiveOn Deadly GroundThe Hudsucker ProxyMajor League IIThumbelinaChasersWith HonorsBeing HumanReckless KellyMaverickWyatt EarpThe ClientBlack BeautyWar of the ButtonsPolice Academy: Mission to Moscow Natural Born KillersArizona DreamRapa NuiTrial by JuryThe New AgeSecond BestThe SpecialistA Troll in Central ParkLittle GiantsImaginary CrimesLove AffairSilent FallInterview with the VampireCobbDisclosureRichie Rich
1995: Murder in the FirstBoys on the SideJust CauseOutbreakBorn to Be WildThe Pebble and the PenguinA Little PrincessThe Bridges of Madison CountyBatman ForeverUnder Siege 2: Dark TerritoryFree Willy 2: The Adventure HomeSomething to Talk AboutThe Amazing Panda AdventureThe Stars Fell on HenriettaAssassinsEmpire RecordsCopycatLes MisérablesFair GameAce Ventura: When Nature CallsIt Takes TwoThe Snow QueenHeatGrumpier Old Men
1996: Two If by SeaBig BullyThe NeverEnding Story III: Escape from FantasiaExecutive DecisionDiaboliqueTwisterEraserA Time to KillJoe's ApartmentTin CupCarpoolSweet NothingBogusSurviving PicassoThe Glimmer ManThe ProprietorMichael CollinsSleepersNorth StarSunchaserBad MoonSpace JamMars Attacks!My Fellow AmericansThe Snow Queen's Revenge
1997: Vegas VacationRosewoodSelenaCats Don't DanceAnna KareninaMurder at 1600ShilohFathers' DayAddicted to LoveBatman & RobinWild AmericaContactThe Swan Princess: Escape from Castle MountainOne Eight SevenFree Willy 3: The RescueConspiracy TheorySteelFire Down BelowL.A. ConfidentialTrojan WarThe Fearless FourLive FleshThe Devil's AdvocateBreaking UpFairyTale: A True StoryMad CityThe Man Who Knew Too LittleMidnight in the Garden of Good and EvilThe Postman
1998: FallenSphereDangerous BeautyU.S. MarshalsIncognitoThe Butcher BoyCity of AngelsMajor League: Back to the MinorsTarzan and the Lost CityQuest for CamelotAlmost HeroesA Perfect MurderLethal Weapon 4The NegotiatorThe AvengersWrongfully AccusedWhy Do Fools Fall in LoveWithout LimitsPractical MagicSoldierHome FriesJack FrostYou've Got Mail
1999: PaybackMessage in a BottleAnalyze ThisThe King and ITrue CrimeThe MatrixGoodbye LoverAll About My MotherLost & FoundWild Wild WestSouth Park: Bigger, Longer & UncutShiloh 2: Shiloh SeasonEyes Wide ShutDeep Blue SeaThe Iron GiantMickey Blue EyesA Dog of FlandersChill FactorButterfly's TongueThree KingsThe Story of UsThree to TangoHouse on Haunted HillPokémon: The First MovieLiberty HeightsThe Green MileAny Given SundayMan on the MoonThe Big Tease

2000s
2000: My Dog SkipThe Whole Nine YardsRomeo Must DieReady to RumbleGossipBattlefield EarthThe Perfect StormThe In CrowdPokémon: The Movie 2000Space CowboysThe ReplacementsThe Art of WarBaitInto the Arms of Strangers: Stories of the KindertransportBest in ShowGet CarterPay It ForwardRed PlanetProof of LifeMiss Congeniality

2001: The PledgeValentineSweet November3000 Miles to GracelandSee Spot RunExit WoundsPokémon 3: The MovieDrivenThe DishAngel EyesSwordfishProximityA.I. Artificial IntelligenceCats & DogsOsmosis JonesAmerican OutlawsSummer CatchRock StarHearts in AtlantisTraining DayThirteen GhostsHeistHarry Potter and the Sorcerer's StoneThe Affair of the NecklaceMinoesOcean's ElevenThe MajesticCharlotte Gray
2002: A Walk to RememberCollateral DamageQueen of the DamnedThe Time MachineShowtimeTalk to HerDeath to SmoochyMy Big Fat Greek WeddingMurder by NumbersThe Salton SeaInsomniaDivine Secrets of the Ya-Ya SisterhoodScooby-DooJuwanna MannThe Powerpuff Girls MovieEight Legged FreaksBlood WorkThe Adventures of Pluto NashFeardotComCity by the SeaBallistic: Ecks vs. SeverMondays in the SunWhite OleanderWelcome to CollinwoodGhost ShipFemme FataleHarry Potter and the Chamber of SecretsAnalyze ThatTwo Weeks Notice
2003: It Can't Be All Our FaultKangaroo JackGods and GeneralsCradle 2 the GraveDreamcatcherBlue Collar Comedy Tour: The MovieWhat a Girl WantsA Mighty WindMalibu's Most WantedThe Matrix ReloadedThe In-LawsThe AnimatrixAlex and EmmaTerminator 3: Rise of the MachinesI'll Be ThereGrindMatchstick MenSmall VoicesMystic RiverThe Matrix RevolutionsLooney Tunes: Back in ActionGothikaThe Last SamuraiSomething's Gotta GiveLove Don't Cost a Thing
2004: Chasing LibertyTorqueThe Big BounceClifford's Really Big MovieStarsky & HutchSpartanTaking LivesBad EducationScooby-Doo 2: Monsters UnleashedThe Whole Ten YardsNew York MinuteTroyHarry Potter and the Prisoner of AzkabanHouse of Flying DaggersA Cinderella StoryCatwomanYu-Gi-Oh! The Movie: Pyramid of LightExorcist: The BeginningLaura's StarThe Polar ExpressAlexanderOcean's TwelveMillion Dollar BabyThe Aviator
2005: Racing StripesThe Phantom of the OperaConstantineMiss Congeniality 2: Armed and FabulousHouse of WaxDominion: Prequel to the ExorcistThe Sisterhood of the Traveling PantsBatman BeginsCharlie and the Chocolate FactoryThe IslandMust Love DogsThe Dukes of HazzardA Sound of ThunderCorpse BrideThe Little Polar Bear 2: The Mysterious IslandDumaKiss Kiss Bang BangNorth CountryHarry Potter and the Goblet of FireSyrianaRumor Has ItThe Thief LordFirewall
2006: The Thief LordFirewallDeep Sea 3D16 BlocksV for VendettaVolverATLPoseidonSaving ShilohThe Lake HouseDeath NoteSuperman ReturnsLady in the WaterThe Ant BullyBeerfestThe Wicker ManThe DepartedPan's LabyrinthThe PrestigeFlags of Our FathersDeath Note 2: The Last NameGoya's GhostsHappy FeetThe FountainBlood DiamondUnaccompanied MinorsLetters from Iwo JimaWe Are Marshall
2007: The ReefMusic and LyricsThe Astronaut FarmerZodiac300TMNTThe ReapingAqua Teen Hunger Force Colon Movie Film for TheatersIn the Land of WomenLucky YouOcean's ThirteenNancy DrewLicense to WedHarry Potter and the Order of the PhoenixNo ReservationsThe InvasionThe OrphanageThe Brave OneThe Assassination of Jesse James by the Coward Robert FordMichael ClaytonReturn to House on Haunted HillFred ClausBeowulfAugust RushBen 10: Race Against TimeI Am LegendP.S. I Love YouSweeney Todd: The Demon Barber of Fleet StreetThe Bucket List
2008: One Missed CallFool's GoldL: Change the World10,000 BCBroken AngelThe Red BaronHarold & Kumar Escape from Guantanamo BaySpeed RacerSex and the CityGet SmartKit Kittredge: An American GirlJourney to the Center of the EarthThe Dark KnightThe Sky CrawlersThe Sisterhood of the Traveling Pants 2Star Wars: The Clone WarsThe WomenNights in RodantheAppaloosaRocknRollaBody of LiesPride and GloryIchiSlumdog MillionaireFour ChristmasesGran Torino ½ Knights: In Search of the Ravishing Princess HerzelindeYes Man The Curious Case of Benjamin Button
2009: The Ramen GirlInkheartThe Secret of MoonacreHe's Just Not That Into YouFriday the 13thMord ist mein Geschäft, LieblingWatchmenObserve and Report17 AgainCoco Before ChanelGhosts of Girlfriends PastGoemonChériTerminator SalvationThe HangoverThe Cell 2My Sister's KeeperHarry Potter and the Half-Blood PrinceOrphanThe Time Traveler's WifeSummer WarsShortsThe Final DestinationWhiteoutThe Informant!The FirmThe Hills Run RedThe Invention of LyingTrick 'r TreatWhere the Wild Things AreMicmacsThe BoxBen 10: Alien SwarmThe Blind SideNinja AssassinThe Descent Part 212 Paces Without a HeadInvictusSherlock Holmes

2010s
2010: The Book of EliEdge of DarknessValentine's DayCop OutAtithi Tum Kab Jaoge?HubbleLahoreTekkenTurk's HeadClash of the TitansJaane Kahan Se Aayi HaiThe LosersBird IdolCenturionA Nightmare on Elm StreetSex and the City 2SpliceOutrageJonah HexInceptionCats & Dogs: The Revenge of Kitty GaloreFlippedLottery TicketThe IllusionistNo eres tú, soy yoGoing the DistanceThe TownLegend of the Guardians: The Owls of Ga'HooleLife as We Know ItYoung Goethe in LoveRamayana: The EpicMahpeyker: Kösem SultanThe Incite MillDus TolaHereafterDue DateTi presento un amicoHarry Potter and the Deathly Hallows – Part 1Phas Gaye Re ObamaThree Steps Above HeavenHunting SeasonVater MorganaLa bellezza del somaroYogi BearThe Last Circus

2011: 127 HoursCousinhoodThe RiteKokowäähHow to Get Rid of CelluliteUtt PataangHall PassAnd Then What?IroncladRed Riding HoodKolpaçino: BombaSucker PunchArthurBorn to Be WildSomething BorrowedTürkanThe Hangover Part IIGreen LanternNicostratos the PelicanHorrible BossesHarry Potter and the Deathly Hallows – Part 2Crazy, Stupid, LoveFinal Destination 5The Skin I Live InContagionTop Cat: The MovieDolphin TaleDream HouseThe ArtistThe Worst Week of My LifeA Very Harold & Kumar ChristmasJ. EdgarHappy Feet TwoBlack GoldMy Grandfather's PeopleDam 999New Year's EveSherlock Holmes: A Game of ShadowsExtremely Loud and Incredibly Close
2012: Joyful NoiseJourney 2: The Mysterious IslandLoveGhost Rider: Spirit of VengeanceProject XWrath of the TitansThe Lucky OneTo the Arctic 3DDark ShadowsChernobyl DiariesRock of AgesMagic MikeThe Dark Knight RisesThe CampaignThe ApparitionRurouni KenshinNow Is GoodTrouble with the CurveÇanakkale ÇocuklarıGuardiansArgoOğlum Bak GitMeasuring the WorldCloud AtlasDance with the Jackals 2 (Çakallarla Dans 2: Hastasıyız Dede)The Hobbit: An Unexpected JourneyLudwig II
2013: Gangster SquadMiffy the MovieBullet to the HeadBeautiful CreaturesA Certain Magical Index: The Movie – The Miracle of EndymionJack the Giant SlayerHititya: Madalyonun SırrıI'm So Excited!Gallipoli: End of the RoadThe Incredible Burt WonderstoneThe Last DaysSelam42Shield of StrawThe Great GatsbyThe Hangover Part IIIMan of SteelGintama: The Movie: The Final Chapter: Be Forever YorozuyaPacific RimThe ConjuringWe're the MillersFamily UnitedUnforgivenPrisonersGravityVay Başıma GelenlerR100MindscapeFrau EllaIt All Began When I Met YouThe Hobbit: The Desolation of SmaugHerKedi ÖzlediGrudge MatchSenin Hikayen - Your Story
2014: Kadın İşi: Banka SoygunuBlack ButlerJoy of FatherhoodThe LEGO MovieWinter's TaleA Small September AffairRecep İvedik 4300: Rise of an EmpireVeronica MarsZaman Makinesi 1973Island of Lemurs: MadagascarHayat Sana GüzelTranscendencePanzehir - The AntidoteGodzillaBlendedEdge of TomorrowJersey BoysTammyInto the StormWild TalesIf I StayDolphin Tale 2Dabbe: Zehr-i CinThis Is Where I Leave YouMarshlandThe MissionariesComing SoonAnnabelleThe Good LieThe JudgeComing InInterstellarHorrible Bosses 2Mortadelo and Filemon: Mission ImplausibleHadi İnşallah - Let's Hope SoGet SantaInherent ViceKırımlıHead Full of HoneyThe Hobbit: The Battle of the Five ArmiesAmerican SniperYusuf Yusuf
2015: Mazlum KuzeyKöstebekgiller: Perili OrmanSevimli TehlikeliJupiter AscendingTraumfrauenFocus8 SaniyeOff CourseRun All NightThe MannyGet HardGhosthunters: On Icy TrailsLost RiverPolis Akademisi: AlaturkaThe Water DivinerHot PursuitNothing in ReturnMad Max: Fury RoadSan AndreasEntourageBatkid BeginsMaxMagic Mike XXLThe GallowsVacationThe Man from U.N.C.L.E.We Are Your FriendsSpy TimeThe HiddenBlack MassThe InternRetributionPanGit BaşımdanTop Cat BeginsOur Brand Is CrisisThe 33CreedIn the Heart of the SeaI'm Off ThenPoint BreakPalm Trees in the SnowDelibal
2016: Köstebekgiller 2: Gölgenin TılsımıHer Şey AşktanHow to Be SingleOsman PazarlamaMidnight SpecialSeytan TüyüBatman v Superman: Dawn of JusticeJulietaThe Man Who Knew InfinityBarbershop: The Next CutAt the End of the TunnelKeanuTerra FormarsThe Nice GuysMe Before YouThe Conjuring 2Central IntelligenceThe Legend of TarzanLights OutSuicide SquadWar DogsThe Age of ShadowsSullySMS für DichStorksThe Girl with All the GiftsCanım Kardeşim BenimThe AccountantWithinMay God Save UsRus'un OyunuMuseumFantastic Beasts and Where to Find ThemVillaviciosa de al ladoMonster Strike The MovieCollateral BeautyLive by NightVier gegen die Bank
2017: The Invisible GuestThe LEGO Batman MovieFist FightA Single RiderKanavu VariyamKong: Skull IslandCHiPsGoing in StyleKırık Kalpler BankasıWolves at the DoorUnforgettableBlade of the ImmortalMax 2: White House HeroKing Arthur: Legend of the SwordEverything, EverythingThe SummitWonder WomanMemoirs of a MurdererThe HouseGintamaDunkirkJoJo's Bizarre Adventure: Diamond Is Unbreakable Chapter IAnnabelle: CreationThe Nut Job 2: Nutty by NatureMonster FamilyBingo: O Rei das ManhãsItThe LEGO Ninjago MovieBlade Runner 2049Toc TocComo se tornar o pior aluno da escolaGeostormAyla: The Daughter of WarMy TeacherJustice LeagueIn the FadeThe Disaster ArtistWonder WheelForget About NickFather FiguresNaples in Veils
2018: Paddington 212 StrongThe 15:17 to ParisGame NightTomb RaiderReady Player OneRampageLife of the PartyRainbow DaysOcean's 8Maybe a Love StoryTagBleachTeen Titans Go! To the MoviesKabir AzabıThe MegCrazy Rich AsiansThe NunThe AccusedReal GirlSmallfootA Star Is BornFantastic Beasts: The Crimes of GrindelwaldCreed IIMowgli: Legend of the JungleExterminadores do Além Contra a Loira do BanheiroHead Full of HoneyThey Shall Not Grow OldThe MuleAquaman
2019: White SnakeThe LEGO Movie 2: The Second PartIsn't It RomanticThe Golden GloveNancy Drew and the Hidden StaircaseShazam!The Curse of La LloronaThe WonderlandDetective PikachuThe Sun Is Also a StarGodzilla: King of the MonstersShaftAnnabelle Comes HomeThe KitchenBlinded by the LightThe InformerIt Chapter TwoThe GoldfinchThe Battle of JangsariJokerWestern StarsMotherless BrooklynDoctor SleepMy ZoeThe Good LiarRichard JewellJust MercyWhen Hitler Stole Pink Rabbit

2020s
2020: Birds of PreyThe Way BackScoob!An American PickleBill & Ted Face the MusicTenetUnpregnantCharm City KingsThe WitchesSuperintelligenceLet Them All TalkWonder Woman 1984

2021: Locked DownThe Little ThingsJudas and the Black MessiahTom & JerryZack Snyder's Justice LeagueGodzilla vs. KongMortal KombatRurouni Kenshin: The FinalThose Who Wish Me DeadThe Conjuring: The Devil Made Me Do ItDream HorseRurouni Kenshin: The BeginningIn the HeightsNo Sudden MoveTokyo RevengersSpace Jam: A New LegacyThe Suicide SquadReminiscenceMalignantCry MachoThe Many Saints of NewarkDuneKing Richard8-Bit ChristmasBoxing DayThe Matrix Resurrections
2022: The FalloutParallel MothersKimiThe DukeThe BatmanThe Nan MovieMoonshotNavalnyFantastic Beasts: The Secrets of DumbledoreOperation MincemeatBubbleFullmetal Alchemist: Final Chapter – The Avenger ScarFather of the BrideElvisFullmetal Alchemist: Final Chapter – The Last TransmutationNotre-Dame on FireDC League of Super-PetsDon't Worry DarlingThe Lost KingEmilyBlack AdamA Christmas Story ChristmasBones and AllHoliday HarmonyA Christmas MysteryA Hollywood Christmas
2023: House PartyMagic Mike's Last DanceMummiesCreed IIIShazam! Fury of the GodsAirEvil Dead RiseThe FlashBarbieMeg 2: The TrenchBlue BeetleThe Nun 2WonkaAquaman and the Lost KingdomThe Color Purple

Upcoming
Dune: Part TwoMickey 17Godzilla x Kong: The New EmpireChallengersFuriosa: A Mad Max SagaThe WatchersHorizon: An American Saga – Chapter 1TwistersTrapHorizon: An American Saga – Chapter 2Beetlejuice 2Joker: Folie à DeuxAlto KnightsThe Lord of the Rings: The War of the RohirrimMortal Kombat 2MinecraftSuperman: LegacyThe Batman – Part IIThe AuthorityThe Brave and the BoldSupergirl: Woman of TomorrowSwamp ThingFunko